許多遺留的廢棄建築，成為廢墟狀態的斷垣殘壁，卻呈現出引人的特質，這種魅力是感受性的、無以名狀的，而許多舊建築再利用的案例中，都偏向實用性的目的為原則，然而廢棄建物跟地景相互融合所生成的詩意，是否已經成為「場所精神」的一部份？ 探討將廢墟中的浪漫元素吸收成為場所精神的一部份，作為舊建築再利用的新方向跟思維，並兼顧建築的機能跟實際價值，使這種思考的方式具有真正的可行性。透過實際操作並呈現的設計過程，將這種抽象的描述及思考，轉化為可以實際感受的空間。最終的目的，是整理出一普遍性的原則，可以應用在其他的建築設計過程之中，使其產生具有詩意的空間品質。 建築與地景中的詩意元素，在本論文設計中，以下列的進程討論其被操作的方式： 1. 詩意元素作為一種描述性的經驗科學：參照其他描述性的經驗科學領域之論述，建構以詩意的觀點出發之建築、空間與基地的描述方式，以釐清設計中此一模糊不明的曖昧過程。 2. 異質空間的建構：利用差異地學的概念歸納描述性的感受空間，建築與地景中的詩意建立在空間的異質性之中，因此異質空間的6項原則可以作為檢驗基地條件的依據，以及保存空間異質性的原則。 3. 封閉性的主題：任何敘述皆是一個封閉性的段落。基地必須跟周遭脈絡有一種相容而對立的關係，以強化其敘述性，並且確立獨特的主題，作為此一封閉段落的價值觀，建立進入異質空間的開關系統。 4. 對基地的精確描繪：最後，詩意來自於此一封閉主題下對基地的精確描繪，有些看似偶然的趣味其實是發現了基地中細微隱藏的紋理而產生。設計中真正偶然的曖昧性與意外性是被容許的，當滿足我們設定的主題時。 Many buildings remain unused and became ruins but show some kind of attracting atmosphere, we feel it but it’s hard to be named. In renewing cases of old buildings we usually take practicability as the major rule and the goal, but I suspect that ruins combined landscape transforms to poetry as well as some parts of genius loci. Absorb the romantic elements into a place as the spirit of renewing old remained buildings and a new direction/ thought of reusing discarded land, also consider functions and value of spaces to make it practicable/ workable. This thesis presents space experience through design process as well as transforms site narratives and architectural concepts into substantial space which can be experienced, eventually puts these things together to a widespread rule applicable to other design processes to poeticize architecture. The phases of discussing poetry in architecture and landscape: 5. Poetics as a description: refer to other descriptive science to construct a descriptive method for architecture, space, and site comes from a poetic point of view. 6. Construction of heterotopias: in this phase we conclude narrative spatial experience by Foucault’s heterotopias concepts, also called heteropology. 6 rules of heterotopias can be used choosing site and conserving heterodox. 7. Enclosed theme: any narrative is an enclosed section, a discourse. There must to be a harmonious but oppositional relationship between a site and its neighborhood to enforce the narrative. It establishs an unique theme as the values of this enclosed discourse for setting up switches for entering this heterotopias. 8. Precise description of sites: Poetic spaces come from a precise description under this enclosed theme. That means an accidental-like punctum is actually a discovery of slight and hidden context. Absolutely ambiguity and unexpectedness both are allowed when satisfying the setup.
