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    Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/11125


    Title: 從家具設計實務反思文化商品之表現形式
    Other Titles: A Reflection of Furniture Design Practice on the Expressional Forms of Cultural Commodities
    Authors: 蘇兆偉
    Su, Chao-Wei
    Contributors: 郭炳宏
    Kuo, Ping-Hung
    東海大學工業設計學系
    Keywords: 文化商品;家具設計;現代東方元素
    Cultural Goods;Furniture Design;Modern Oriental Elements
    Date: 2011
    Issue Date: 2011-10-12T14:19:55Z (UTC)
    Abstract: 從歷史軸向來看,以外銷市場主導的台灣家具產業,在受到木、藤材原料國嚴格管控及勞力成本增加等種種因素,產業結構開始變動,造成產業外移,但技術的複製已快速帶起工資低廉地區的產業競爭力,迫使台灣家具產業面臨二次轉型壓力。受到文化創意產業的思潮,市場上對於質感要求與文化內涵的需求提升,家具的設計規劃除了原有的西方現代、極簡風格之外,更掀起了一股現代東方的風格家具的表現形式,因此取得文化創意展現與實務限制之間的平衡,仍是值得探究的議題。 有鑑於此,本研究分為「家具設計實務調查」、「產業資源整理」、「設計創作實務」、「文化商品設計評價」四個步驟進行,首先透過實務的實習參與探求家具設計之要點,並實施訪談調查,了解分工方式與訂製流程,第二步驟是以問卷方式了解購買家具時所考量之設計訴求,配合產業資源的整理,作為設計方針的考量,步驟三即是綜合上述資訊與文化商品相關文獻,從器物特徵、操作使用、抽象概念三種層面中遴選符合的題材,並進行文化商品創作,步驟四再以修正式德菲法,針對創作之四件作品進行二回合之專家評價問卷,驗證創作之假設。 研究歸納出三點發現:(1)東方元素豐富且具深遠的歷史意義,結合台灣在家具製造的經驗,是值得透過與文化創意的聯結,發揮在家具設計之上,改善現有產品相互仿製的問題。(2)家具產品在實用與創意之間,可藉由文化商品設計模式來進行解析與脈絡編寫,透過設計的建構,將文化元素協助設計者凝聚設計概念。(3)透過創作的評價,驗證由不同層面間擷取轉化的作品,在設計意圖、流行創新、產品呈現及文化意涵的構面上呈現的差異,可作為研究或業界之參考。
    From a historical point of view, the export market-oriented furniture industry in Taiwan have relocated because of higher costs of the labor, and the material export-restrictions of wood, rattan from the origin. In addition, with the growth of technology in developing regions, Taiwan has to face the competition again. By the impact of cultural and creative industries, the market also reflects the need of cultural contents. On the same time, it comes out of a modern oriental style furniture forms in the existing western modern, minimalist style furniture designing. Therefore, to achieve the balance of cultural and creative presentation and practice restrictions is still a worth issues for exploring. In view of this, this study is divided into four steps: "survey of furniture design practice", "material resources organization", "creative design practice", and "evaluation of the cultural product design". First, to explore the points of furniture design through practical training, then to start a interview to find out the industry resources and also come to understand the manufacturing processes. The second step is executing a questionnaire to get the main design factor when considering the purchase of furniture as design guideline considerations. Step three, integrated the information and references of cultural product design, after that, produce furniture design concepts from the Ming-style chairs features, the operation of the traditional textile tool, and the metaphysical concepts of art. Last, through the modified Delphi method process to get the evaluation by experts to verify the hypothesis of the creation works. Research summarized into three points: (1) Oriental elements has profound historical meanings, and it is worth to work with the Taiwan experience of furniture industries to solve the problems in product copying. (2) Between practical and creative, cultural product design model can help designers to gather design concepts.(3) The verification result shows that the works transformed from different aspects would show the difference in the dimensions of design intent, popular innovation, product presentation and cultural meaning, these results can be used as a reference for academic or practice research.
    Appears in Collections:[工業設計學系所] 碩士論文

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