囚遊者的國度

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Title:	囚遊者的國度
Other Titles:	The kingdom of “imprisonment”and“mental traveling”
Authors:	何欣怡 Ho, Hsin-Yi
Contributors:	倪再沁 Ni, Zai-Cin 東海大學美術學系
Keywords:	非具象圖形
Date:	2009
Issue Date:	2011-02-18T08:51:29Z (UTC)
Abstract:	【摘要】本文陳述創作作品相關思想和風格。「囚」如果是視覺性的傳達，透過物體表象的描繪來對觀者述說；那麼「遊」便是創作者本身潛意識的反抗與渴望。呼應生活週遭那些因事物擠壓而累積的情緒與感受。在空茫時間的情境下，主體在另置環境中，作為生存者在這個時空下的記錄，表現手法是建立在一種「虛擬」之上；一塊想像幻化的國土，詭異的界面下暗藏著隱憂與空無的本質，人物、形體存在於沒有實存的世界，如靈魂軀殼般藏於無境之中，對那不可分割的現實生活所做的隔離。第一部分對於「囚遊」作簡述說明。人物的生存，不論在生活上或心態上，在內心境界及生活現實兩方，以遊走的姿態脫離這個禁錮的世界，存在個體逐漸找到某種讓自身安定的無我狀態，所謂「物與神遊」的境界，應是囚遊者的本質，也就是超越的態度，希望結合了「囚」與「遊」的超曠境界，面對人生困境時一種正向的思維模式。第二部分藝術史上相關脈絡：希望經由西洋繪畫史上藝術家於不同時間、空間的創作領域中的相關作品，作為創作法則的推演和印證，以期明晰個人創作理念和脈絡追尋。第三部份對畢業創作作品進行描述和解析：初期藉由反覆的非具體形象，暗示不可知的境域，第二階段「自由的囚徒」系列作品以具象人物的存在，呈現個體逐漸找到某種讓自身安定的無我狀態，當成是一項與心靈無聲對話交流的紀錄。最後部分為結語，對於自我創作內涵的省思，進而期許自我在時間的推展下，順著思想的軌跡，邁向另一個可能的旅程。關鍵詞：非具象圖形 AbstractThis thesis aims to illustrate the main thought and the style of the creations. While “imprisonment” is the visual transmission, expressing oneself to the viewer by drawing the appearance of object, “mental traveling” is the creator’s subconscious resistance and desire, responding to the accumulative emotions and feelings in life caused by pressure. Under the void situation, the subject is setting at another environment to record the existence of people in the space-time. The technique of expression is established on "supposition". An imaginative kingdom, in which concealed worries and vacant essence are hidden under the strange interface. The person and image exist in unreal world, as if the soul hidden in isolation which does to separate from real life.Chapter One defines the concepts “imprisonment” and “mental traveling.” The existence of person, no matter in the life or the point of view, in the innermost feelings and the reality , separates from this imprisoned world by wandering posture; the individual found some state to let himself stable gradually. Therefore, “the thing with patrols” should be the essence of “imprison”and“mental traveling”and it is the transcendent attitude, too. I hope to unify “imprisons” and “mental traveling” and think positively when facing the difficulty of life.Chapter Two surveys the related thread of thought in art history. In this chapter, I hope to infer and verify the creation principles through the artists’ creations in different space-time in Western painting history.Chapter Three describes and analyzes my graduation creation work. In the first period, the unknown field is implied by means of the non-concrete image. In second period, the series works “the free convict” present the individual finding some stable condition by the concrete figures, as a silent record communicated with spirit.The conclusion is the introspections of the self-creation’s inner meanings, expecting ourselves to step another possible journey by following the path of thought as time go on.Key words：non-concrete image
Appears in Collections:	[美術學系所] 碩士論文

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