盲者的臨摹-信仰美學的實踐與探究

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 碩士論文 > Item 310901/1168

Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/1168

Title:	盲者的臨摹-信仰美學的實踐與探究
Other Titles:	Blind’s Imitation: The Practice and Theory of Belief Aesthetics Involving Artworks and God
Authors:	施珮琪 Ship, Pei-Chi
Contributors:	黃海雲 Huang, Hai-Yun 東海大學美術學系
Keywords:	基督教;信仰美學;基督教藝術 Christianity;Belief Aesthetics;Christianity art
Date:	2009
Issue Date:	2011-02-18T08:51:37Z (UTC)
Abstract:	第一章首先為創作自述表達信仰與自我的連結及創作方向所選取的元素和呈現形式。創作的中心思想建構於影響自身甚鉅的基督信仰，同時選擇藝術創作為另一項紀錄信仰思想與歷程的方式，在創作的行為下築起和上帝不同形式的橋樑，於作品當作對至高者所獻上的讚美、頌揚之祭。第二章以藝術創作和藝術本質體現上帝的屬性來重新審視藝術在信仰中的角色。第三章從聖經教導的原則為創作核心出發，分別論述作品中抽象形式及半具象形式與自我信仰感受、聖經內容的關係；探究如何從信仰觀點選擇(決定)作品形式與內容。創作主題與理念影響著作品形式及內容的取決，因此從信仰的觀點出發，雖然其形式與內容可以是多樣、不同的，但所傳遞的信息也會因著這些樣貌而變化，因此，該如何兼顧信仰內涵與作品實體的結構掌控便是一項重要的議題。第四章即從不同藝術家的繪畫與其理念所帶給自己在創作中的省思，探討基督徒人文藝術觀對藝術所產生的現象與影響；也從而檢視自己於創作中的角度、概念，省思日後的作品發展。第五章論及作品內容和創作信念間的關係。創作總括是以基督信仰為出發，從聖經內容為主，融入自身的信仰經歷與生命觀感。 Chapter I describes a personal artwork that expresses the linkage between the writer and her belief, as well as the elements selected and the format in which the artwork is presented. The central concept of the artwork is based upon Christian belief, which has had great influence on the writer. Art creation was chosen for documenting the course and concepts of my belief, building a bridge with God in a new way through the creative process, and offering the work as a praise sacrifice to the Supreme Being.In Chapter II, God's attributes are embodied through the essence of artistic creation in order to carefully examine the role of art in belief. Chapter III expounds upon the principles that the Holy Bible teaches as the core of creation; elaborates the relationship between abstract form, half-embodied form, self-reception of belief, and individual elements of the Bible; and explores how to decide on the format and content of a work from the point of view of belief. The theme and concept of an artwork influence decisions about the work’s format and content. From the point of view of belief, format and content may be diverse, and the message delivered may vary. Thus, it is important to consider the connotations of belief as well as the structure of the work.In Chapter IV, various artists’ paintings and concepts are brought into my creative thought in order to discuss phenomena and influences produced from the point of view of Christian humanist art, as well as to examine my own creative angle and concepts and to rethink the development of my work in the future. In Chapter V, the relationship between the substance of work and creative concepts are discussed. To sum up, the work of art under discussion sprouts from Christian belief, uses the Holy Bible as the main text, and integrates the artist’s own belief experiences and personal concepts of life.
Appears in Collections:	[美術學系所] 碩士論文

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