在畫布的邊際

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 碩士論文 > Item 310901/1172

Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/1172

Title:	在畫布的邊際
Other Titles:	Cross the limits of the canvas
Authors:	蘇修賢 Su, Hsiu-Hsien
Contributors:	黃海雲 Huang, Hai-Yun 東海大學美術學系
Keywords:	繪畫、攝影、再現、行動姿態、表現歷程、行動繪畫 painting,photography,representation, artist’s performance, process of expressing,representation,action painting
Date:	2009
Issue Date:	2011-02-18T08:51:39Z (UTC)
Abstract:	摘要繪畫藝術在歷史上因著文化與技術的改變經歷了許多的變革，例如攝影的發明對於繪畫再現系統上的衝擊，日後繪畫也探究攝影或其他領域而產生新的表現。也由於藝術愈加的趨向於多元的創作媒材，在經歷過無數個關於繪畫終結的論戰後，如今重拾繪畫，或說如今沒有被遺棄的繪畫實踐，在今天的藝術領域與個人的生活中，將以何種方式展開？本研究是2005-2009年間我的繪畫行為做一探討，主要是針對《夢．樂園》一系列的作品。這些作品是有關於繪畫顏料與筆觸所產生的有機堆疊中，行動姿態（artist’s performance）和表現歷程（Process of Expressing）的關係。我的繪畫關注於兩個部份：圖像的描繪與藝術家的行動。我致力於去保存個人創造的行動，因而我的繪畫是對人生影像駐足過程的痕跡，也是一種感知和接觸世界的方法。《夢．樂園》系列作品是由描繪一段旅行的影像開始的，它是有關於人生的記憶與經驗。並且在這個還未結束的繪畫實踐中，做為尋找繪畫與日常生活接軌之創作者主體我，一直游走在繪畫的再現傳統與行動繪畫事件的模糊地帶，也就是在那畫布的邊際上。本論文即以畫布邊際作為創作者主體位置的闡述，而展開一系列的探討。關鍵詞：繪畫、攝影、再現、行動姿態、表現歷程、行動繪畫 AbstractThe art of painting has undergone great revolutions due to the change of cultures and techniques in the history. For instance, the invention of photography countered the function of the representation of painting, which inspired a whole new performance of painting with the intervention of photography and other domains. In addition, owing to the great varieties of raw materials being used in arts, what would the future of painting be, after all the arguments over the end of painting? Moreover, what might be expressed if I, as the inventor, still insist on painting, rather than applying other materials, in the creation of arts?This research is an exploration of the act of my painting between 2005 and 2009, mainly focusing on the work series of “Dream, and Paradise.” These works are about the relationship between the intervention of the artist’s performance and the Process of Expressing, which are demonstrated by the organic accumulation of the pigments and the touch of the paintbrush. There are two emphases of my painting: the pictorial depiction and the artist’s actions. I am dedicated to the preservation of my individual actions. Hence, the painting of mine is the footprints and the reflections of my own life, and moreover, an approach of mine to feel and touch the whole world.The series of “Dream, and Paradise” begin with the depiction of the pictures of a journey, so they are about memorable experiences of a life. In addition, in the continuing painting process, I, the creator, searching for the connection between painting and the authentic life, have been linger on the borderline between the tradition of the representation and the action painting.Keyword: painting,photography,representation, artist’s performance, process of expressing,representation,action painting
Appears in Collections:	[美術學系所] 碩士論文

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