「宓境」羅祤絹的膠彩創作論述

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Title:	「宓境」羅祤絹的膠彩創作論述
Other Titles:	「Fields Of Tranquility」The Discusser of Yu-Juan Lo’s Asian Gouache.
Authors:	羅祤絹 Lo,Yu-Juan
Contributors:	李貞慧 Li, Zhen Hui 東海大學美術學系
Keywords:	宓境;汰變米亞島;生態美學;膠彩 Fields of Tranquility;Mia Island in Mutation;Ecological Aesthetics;Asian Gouache
Date:	2012
Issue Date:	2013-01-03T05:56:48Z (UTC)
Abstract:	本篇論述緣由來自筆者試圖將自己對神祕事物的喜好發展創作出詭譎空靈的新空間，總體稱「宓境」為主題，而《汰變米亞島》則是此主題所發展的一段文本故事，其內擁有靈性的奇異物種各自尋覓屬於自己的安適居所，創作原因是來自人類身處的環境因近年來不斷被提醒著已日漸汙染，包含大自然遭受人為、科技產生的破壞，地層變動下發現的不知名生物體…等，皆是與生態有關。以2009年至2011年間創作作品作為主要論述對象，研究期間以夢境裡的想像世界、超現實世界、生態環境等相關為主，作品融入自己腦袋瓜中天馬行空的各種想像生物及幽靜氛圍的異次元空間。在筆者的創作裡，以「靈性的呼喚」和「夢的游移與穿越」等元素為主，藉由一些靈性生物生存空間裡的各種質地變化，加上自創性故事的文本與想像力的結合，將現實面抽離，呈現出各式各樣情境畫面，期間不斷透過生態美學與生態藝術等理論研究，內化吸收並思考創作議題的關聯性。「宓境」作品創作表現，主要去除過多具體的形象，單純表現一個沉靜幽微的空間，再運用用色疊色表達更深層的意境層面；而「宓境」裡的《汰變米亞島》是筆者最初創作起點，此系列性作品以故事性畫面及可發揮想像的空間來設定，有如自己另設的一個異次元國度，可自由隨心所欲而共生，空間中可以紛擾，也可以安靜。在此「汰變空間」則意指某居所地因時空變遷、環境改變等因素而受汰換，被改變原樣的生態環境空間，全球暖化及沙漠化的確會造成地球生態大轉變的主要因素，從目前世界的環境變局趨勢來觀察，地球上的人類所面臨的是一個不可避免的高溫未來，也是一個難以掌握的明天。最後筆者兩年於東海學習期間所試驗的各種基底材與媒材試驗做了不同分析比較表，有繪畫基底材+媒材使用分析表(含實驗作品圖檔)以及不同基底材的創作差異性比較表，藉此做為兩年研究之心得。關鍵詞 : 宓境、汰變米亞島、生態美學、膠彩 AbstractDerived from the author’s attempt at developing a personal interest in the mystics into an enigmatic and ethereal new space, this discourse follows a theme of ‘Fields of Tranquility’, which then gives rise to “Mia Island in Mutation”, an narrative where all obscure species bestowed with spirituality are out seeking a comfortable habitat for repose. The motivation of this creation is spawned by the constant reminder that the environment humans reside in has been consistently violated with pollution, including man-made and technology-induced damage on nature, as well as the discovery of unknown organisms during the stratigraphic shifts, which are all related to the ecology.The discourse targets the creations between 2009 and 2011, and the research content revolves mainly around the imaginative realms within dreams, super-realistic worlds and the ecological environment. The creations are integrated with elements of an extra-dimensional space and fantastical imaginative creatures that exist in the author’s mind. In author’s creation, the central elements are ‘the call of the spirituality,’ and ‘the migrating and trespassing of dreams’. Via the texture changes in some certain spiritual beings’ habitats and the combination of imagination with the text of the creative writing, the realistic dimension was subtracted. All varieties of images and scenarios were therefore presented. The process during which a continuous theoretical study on the ecological aesthetics and ecological arts can be drawn upon to internalize, absorb and contemplate on the relativity of creation issues. The creative expression in the works discussed in ‘Fields of Tranquility’ is mainly to eliminate any superfluous concrete images, but to simplistically present a serene and unruffled space, with a further imagery and state to be delivered via application and overlapping of colors. “Mutation in Mia Island” in ‘Fields of Tranquility’ marks the author’s point of departure in creation, its series of works being set up by certain narrative images and spaces that are inductive to imagination and akin to a self-defined extra-dimensional sphere where one can live and let live, free from any constraints. It can be turbulent or quiet in a space. In this regard, ‘space in mutation’ refers to a place of residence going through evolution and replacements due to such factors as time and spatial changes, environmental changes, with its original ecological environmental space being re-shaped. Global warming and desertification are indeed the primary reasons behind the major global ecological transformations. Considering the trends in current environmental changes, mankind on this planet is facing a future with inevitable high temperatures and difficult to keep in reins. In conclusion, the author presents various analysis and comparison tables based on the various subtract materials and media used for experiments conducted during her two-year study in Tunghai University. The experiments include ‘application analysis tables for media and subtract materials for drawings’(‘charts of experiment creations’ attached) and ‘comparison tables for creation discrepancies between different subtract materials’, with all of which to mark the findings of a two-year research.Keywords:Fields of Tranquility, Mia Island in Mutation, Ecological Aesthetics, Asian Gouache.
Appears in Collections:	[美術學系所] 碩士論文

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