原生‧緣起 － 記憶圖像的回溯與再現

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 碩士論文 > Item 310901/24163

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Title:	原生‧緣起－記憶圖像的回溯與再現
Other Titles:	Origin and Genesis - Recall and Reproduction of Image Memories
Authors:	陳威杰 Chen, Wei-Chieh
Contributors:	林文海 LIN,WEN HAI 美術學系
Keywords:	原生 origin
Date:	2013
Issue Date:	2014-02-21T01:00:14Z (UTC)
Abstract:	摘要藝術創作本像是一位挖礦工，從那裡挖取才重要，並不是挖的較深，就會收獲較多，這乃是筆者再回歸學院的目的。藝術創作的靈感，是不斷地透過自我從生活經驗中的累積獲得體悟，也藉由了自身童?的印記，從嚮往童稚單純、直接的無畏本性出發，透過回溯到自我童?記憶的點滴、思想??與情感經驗，從創作中去挖掘與發現自我內在的精神特質，經由學?探求與美學思想的分析，進而探?內在深藏的記憶思想，啟發藝術創作的動?。再從自我感性與?性的創作?程中，建構個人的美學生活觀，並透過文字書寫，表達出理性與感性相互交織的創作歷程，以達到追求自我的探索目的。對記憶、圖像—「原生‧緣起」為主題之觀點，從內容的探?與思考，媒材實驗的應用與結合及形式的轉變，將個人的創作思維以主觀與直接的方式探討。猶如相機記錄生命過程，?僅僅是一種外在物象變化過程，也透過生活物象傳達，進而探尋藝術創作與個人生活內在的脈絡軌跡。?文主體架構：從第一章創作前的思考?程。第二章童?的浪漫天真，逐步導向內心記憶的重新建構，探?自我存在的意義，重?生命的純粹本性，並從中喚回兒時記憶以及成長累積的經驗，以及對未來創作發展的省思。第三章創作元素及形式技法運用，乃筆者在創作上的整?與闡述，藉由吸取前人創作經驗、生活?體驗創作當下的感知過程，並將自我在創作上的形式技法加以分析詮釋。第四章乃針對創作作品做進一步分析，並用平鋪直述的方式做詳盡之論述。有形的作品雖已一一完成，但過程中的無形記憶以及處?媒材的經驗卻仍?斷?積，這些?程也將成為未?創作研究的墊腳石。關鍵詞：原生、緣起、記憶、圖像 AbstractArtistic work is like mining. The harvest depends more on the site than on the depth of digging, and this is the reason why the author is returning to college. Inspiration for artistic creation flows continuously from understanding gleaned from accumulated life experiences as well as from impressions of childish yearnings, innocence and fearlessness evoked through memories of little childhood incidents, ideals and emotions. Through creative work, the spirit within was probed and discovered; through principles and aesthetic analysis, memories and thoughts buried deep within were further explored, stimulating artistic impetus. Furthermore, through the emotional and rational process of creation, a personal view of aesthetics was constructed, and through writing, the interweaving of rationality and emotionality in the creative process was expressed in order to achieve the goal of self-exploration. From exploring and understanding the content, experimenting with media application, integration and transformation, the theme, Image Memories - Origin and Genesis, delves into individual creative thinking through subjective and direct methods. Like a camera recording a life course, it is not only a process of change in external images. In addition, the images of life further convey the search for the internal connection between artistic creation and personal life. Thesis primary framework: Chapter One deals with the thinking process prior to a creation. Chapter Two gradually reconstructs memories from childhood innocence, and explores the meaning of the self existence to recapture the innate purity of life. Moreover, it recalls childhood memories and the experiences of growing up, and reflects on the development of future creation. Chapter Three organizes and elaborates on the creative elements, forms and techniques used by the author. The creative and life encounters of others are used to experience the creative process of the moment, and the use of self in the forms and techniques are analyzed and interpreted. Chapter Four further analyzes creative work, and provides a detailed discussion in a plain and direct style.Tangible works are duly completed, but during the process, the intangible memories and experience with media continue to accumulate to become stepping stones for future studies in creative work.Key Words: origin, genesis, memories, image
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