走進城市─尤英權創作論述

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题名:	走進城市─尤英權創作論述
其它题名:	Walking into the City─Ying-Chuan Yu's Painting Discourse
作者:	尤英權 Yu,Ying-Chuan
贡献者:	林文海 LIN,WEN HAI 美術學系
关键词:	塔男;城市 Tower Man;City
日期:	2013
上传时间:	2014-02-21T01:59:34Z (UTC)
摘要:	(第一段)延續著大學時期「我住在水塔附近」的畢業創作，訂定了「走進城市」這個主題。透過對所居住的城市-台中這個城市的描繪，將這城市的美分享給大家，也更能認清「塔男」自身的生活環境，更可彰顯以此地為榮的生命意義。回溯統整歸納自己的經驗，以之作為個人創作思想的淵源，經營著個人繪畫成長的環境與經驗出發，然後從畫筆走進城市中，期望在生活的點點滴滴觀察，成為日後藝術家的基礎與方向。接著使用觀察法、歷史研究法、比較法還有實驗研究法來作為我的研究方法，闡述著這一篇論述。 (第二段)此論文，從美術史上的名畫家─塞尚和聖維多瓦山，莫內和吉瓦尼的蓮花池，梵谷和阿爾勒，高更和大溪地，尤特里羅和蒙馬特，他們都有各自重視的地域環境。舉這幾個例証，因為「塔男」也是重視自己的地域環境，「塔男」出生成長於台中市，以熟悉熱愛的城市作為「塔男」創作的題材，能在生活中取景、構圖，讓「塔男」的畢業製作變成一件有意義和美好的事！也因此創作出美麗豐富的件件作品。 (第三段)「走進城市」由孤獨的水塔，進入台中大都會，整體看來有山有水，風光非常的美麗，是一個很適合人居住的城市。今日台中的藝術活動頻繁，是文風鼎盛的「文化城」，從建築的角度來察看，可發現城市即是身邊的藝術。然而，人們卻忽略了，而且建築更可以實現一些理想，可達成人與自然間更和諧的關係。此外，從心靈的角度出發，賞遊環境，體會生活；從居所的廁所到臥室(窩巢)，從臥室到小屋(介殼)，再從小屋到整個城市，由內而外，「塔男」譜著藝術家的夢！ (第四段)描述解析「塔男」的創作內容，並藉由系列作品，詮釋筆者研究所後期的作品，最後再對居住的城市做整體探討之後，闡述著「塔男」在城市之間的自語，想像著心事能被知音所聽見，是在這片城市中角落裡那有心人獨白。 (The first paragraph)Following the course work to fulfill the degree requirements — “I Live near a Water Tower” — when I was in college, the topic of “Walking into the City” was set. By depicting Taichung — the city where the author lives, the author “Tower Man” wants to introduce this beautiful city to everyone while he can better understand his living environment and highlight his great deal of pride in this city. He organizes his life experience as a source for his creation and builds an environment where he can grow more skilled as well as experienced in painting. Then, he lets the paintbrush to lead him into the city and explore his own life — an observation that becomes a basis for him as an artist and indicates his preliminary direction. In terms of research methods for this thesis, he adopts observational method, historical research, comparative method and experimental research to write this thesis. (The second paragraph)This thesis introduces several famous artists in art history and the places appearing in their well-known artworks, including Cezanne and Mont Sainte-Victoire, Monet and the water lily pond in Giverny, Van Gogh and Arles, Gauguin and Tahiti, and Maurice Utrillo and Montmartre. These places were of great importance to these great artists, and are good examples explaining the case that Tower Man also has a place that he considers important — Taichung City, where he was born and grew up. By choosing this city, which Tower Man has deep affection for and is intimately acquainted with, as the theme of his creation, Tower Man can discover appropriate scenery in the city and produce images for his artworks, making the efforts to fulfill his degree requirements a meaningful and wonderful task and therefore creating extraordinary artworks. (The third paragraph)The artwork “Walking into the City” guides the audience from a lonely water tower into the Taichung metropolis — one of the best cities for people to live in — and unfolds beautiful landscapes comprising mountains and rivers as a whole. Moreover, Taichung is nowadays a “cultural city” filled with a lot of art events. From an architectural perspective, a city can be deemed as an artwork which is so close to us but very easily ignored by people. Furthermore, architecture can fulfill dreams and build a more harmonious relationship between man and nature. Besides, by appreciating the surroundings in a spiritual way and experiencing the life from a bathroom to a bedroom (Le nid), then from a bedroom to a hut (La coquille), and finally from a hut to the entire city, Tower Man cherishes a dream of being an artist. (The fourth paragraph)This thesis describes and analyzes Tower Man’s artworks, then interprets his artworks created in the later stage of his graduate studies by examining series of his artworks, and finally goes through a profound discussion into the city where he lives. It is expected to illustrate a scenario that Tower Man talks to himself silently in the middle of the city and imagines that his thoughts can be heard by close friends — these actions are to express himself to people for whom he cares.
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