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http://140.128.103.80:8080/handle/310901/25068
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Title: | 張籍詩修辭藝術之探析 |
Other Titles: | The Rhetorical Research of Zhang Jj's Poetry |
Authors: | 楊寶琇 Yang Pao-Hsiu |
Contributors: | 李建崑 Lee C.K. 中國文學系碩士在職專班 |
Keywords: | 積極修辭;樂府詩;社會寫實;中唐 |
Date: | 2014 |
Issue Date: | 2015-03-06T03:38:59Z (UTC)
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Abstract: | 中唐張籍,秉持寫實理念,承續杜甫社會詩的精神,作品有「平易與奇崛」的共生並存現象。筆者想藉「修辭」來探析品評張籍詩作,希冀探論其辭格表現種類及藝術效果。近年研究張籍的相關論著有增加的趨向,大多偏樂府詩的內容和形式的探討,修辭方面仍是少數,故盼透過這個研究主題能能更了解張籍詩作的藝術成就。筆者採文本研究法、歷史研究法、修辭研究法三大原則,以張籍詩現存四百九十首為探析文本,其涵蓋各種詩歌體式,可分為古詩、絕句、律詩(含排律)、和樂府詩。本論文共六章。第一章緒論:探討研究動機和回顧相關的專題研究。第二章分析張籍的生平背景,希冀從中探討出影響詩歌內容相關的背景因素。第二節則探討其時代背景。第三節探討其主要三種(儒、佛、道)思想,析論歸納主題式的意識思維,亦是一種消極修辭的呈現。第三章:材料層面的辭格包含映襯、借代、引用、轉化、譬喻、摹寫。第四章:分析張籍作品中符合意境層面的辭格:誇飾、婉曲、設問、示現;章句層面的辭格:對偶、類疊、頂真、錯綜。第五章析論張籍詩語言風格。第六章總結其修辭藝術手法及效果。 Zhang Ji in the middle Tang Dynasty realistic ideas and inherited the spirit of social poetry of Du Fu. The coexistence “plainness and peculiarity" is found in his poems. The author intends to analyze his portrait works from the perspective of “rhetoric", hoping to explore the expression types of the verses and the artistic effects. The research papers on Zhang Ji have seen an increase in recent years with most of them focusing on the exploration on the content and form of the yuefushi (poems in the folksong lyrical form) , while the studies on the rhetoric remain very limited. Therefore it is hoped that the artistic achievements of the point to works of Zhang Ji can be better understood through the study of this subject. The author adopted text study, history study and the rhetorical study to analyze the text from the 490 poems of Zhang Ji which cover all the poetic styles including gushi (or pre-Tang ancient poetry), jueju (poetic form consisting of four lines of five or seven syllables, with rhymes on first, second and fourth line), lushi (including long poems in lushi form) or regular verse (strict poetic form with eight lines of 5, 6 or 7 syllables and even lines rhyming), yuefushi.This thesis consists of six chapters. The first chapter explains the motivation of this study and provides a review of relevant studies. The second chapter analyzes the life of Zhang Ji's with an aim to explore the background factors affecting his writing of the poems. Section 3 of the chapter deals with three main philosophical ideas (Confucianism, Buddhism and Taoism) to demonstrate that a thematic mind is an expression of passive rhetoric. Verse styles covered in this chapter include setting off, metonymy, quoting, transformation, metaphor and depiction. Chapter 4 analyzes the figures which are in line with moods found in Zhang Ji’s works and these include hyperbole ,euphemism ,rhetorical questioning and demonstration ; for the verse-level figures : antithesis, repetition, anadiplosis and intrication. Chapter 5 analyzes the language style of Zhang Ji‘s poetry. Chapter6 summarizes his rhetorical approach and its effect. |
Appears in Collections: | [中國文學系所] 碩博士論文
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