以聖像形式談創作與信仰

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 碩士論文 > Item 310901/25630

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題名:	以聖像形式談創作與信仰
其他題名:	Using The Form Of Icons To Discuss The Creation And Beliefs
作者:	張綺芸 Chung Chi-Yun
貢獻者:	林文海 Lin Wen-Hai 美術學系
關鍵詞:	代禱三聯作;聲光影像;社會亂象;靈修;祈禱;Icons;代禱二聯作 triptych with deesis painting;sound and image;meditation;prayer;Icons;double with dessis painting
日期:	2014
上傳時間:	2015-05-05T08:12:27Z (UTC)
摘要:	「聖像畫」是一種默觀的祈禱方式，同時也是上帝在人間的縮影，在資訊爆炸的世代中，各種聲光影像不斷干擾我們的心靈，成為阻礙與神交流的障礙，為了把存在在心中的凡塵俗事排拒在外，我們可以藉著畫聖像畫的方式，從中得到心中的平靜也可以更加堅定自己的信仰，更可以讓非教友瞭解聖經上的含意。身為天主教徒的我，將獻上美術的才能為主而畫，並運用此方式得到真正屬於自己的靈修方式。在這繪製聖像的過程中，明白了宗教畫真正的意義，畫一幅宗教作品就如同看聖經一樣，必須思考畫中的內容，跟尋天主的話語進行身心靈的修練。所以凡是本著一顆澄淨的心靈，懷抱對神的敬拜之心所做的作品，一律具有感動的力量，都可稱之為好的宗教作品。我的創作以回溯舊有的傳統「拜占庭壁畫」和在「基督宗教歷史發展」中尋找感動人心的元素，並思考如何將「聖像」重新編排詮釋，最後決定兩種方式來呈現自己的作品︰一、將攜帶型的代禱三聯畫作和二聯的立體畫作，置入油畫畫布中重新編排，結合東正教聖像?金?元素，賦予全新的生命；二、松木代禱三聯作，使用坦培拉技法呈現畫面。努力地將自己的祈禱刻入畫作之中，達到天人合一與主共融。關鍵詞 Icons 祈禱靈修社會亂象聲光影像代禱三聯畫代禱二聯畫 “Icons” are a way of praying by meditation, it is also the epitome of God here on earth, in this generation of information saturation, we’ve been constantly bombarded with all kinds of noise from the outside, which becomes an obstacle between the connection of God and men. Therefore, in order to discarded all the worldly matters of the flesh and to regain our inner peace to reinforced our faith, looking at the Icon can certainly do that, furthermore, helping the people who does not know God to understand the meaning of the Bible more easily. As a Catholic, I devote my art talent to create pictures for my Lord, and through painting, it becomes a unique way of my very own personal devotion with God. During the icons painting process, the meaning of the pictures become much clearer to me. Creating a religious paint is like reading the Bible, you have to comprehend the meaning of the paint as well as the word of the Lord. Therefore, all the art creation made by a pure, praising heart, is a great religious work. In my art works, I am keen to search for heart-touching elements by tracing back to the traditional“Byzantine frescoes”and the“History of Christianity”, and to contemplate on how to re-interpret into order, then eventually decided to demonstrate my work in two different ways: 1、 by bringing the portable 3D triptych with deesis painting or double with dessis onto the oil-painting canvas, rearrange, then combining the “Gold” element from the Eastern Orthodox Church to give the work a whole new life. 2、 Pine wood triptych, by using Tempera painting. To strive to put the creator’s pray into my art works, and hence reach the state of seamless connection between man and God.Keyword: Icons, prayer, meditation, social disturbance, sound and image, triptych with deesis painting, double with dessis painting
顯示於類別:	[美術學系所] 碩士論文

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