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| Title: | 女人?機械?賽伯格 |
| Other Titles: | Women, Machines and Cyborgs |
| Authors: | 童凱俐
Tung,Kai-Li |
| Contributors: | 林文海
美術學系 |
| Keywords: | 虛擬世界;機械擬人化;賽伯格;混種體
Virtual Reality;Mechanthropomorph;Cyborg;Hybrid |
| Date: | 2014 |
| Issue Date: | 2015-05-06T01:15:37Z (UTC)
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| Abstract: | 此「女人?機械?賽伯格」創作論述內容針對人類與機械的關聯性加以探討，從人類發明機械，至二十世紀初的未來派對機械的歌頌讚揚，接下來的「機械美學」機械被當藝術品般的展示，乃至進入二十一世紀機械進入微型化，網路雲端超連結加速發展至今。人類依賴機械與網路的程度在每個人身上或高或低是無所不在的，而網路的虛擬空間變成現代人與人的聯繫方式，人類究竟是依賴機械還是被機械操控？本論文就其現象探討人與機械的模糊分界。 首先說明研究動機、目的及創作研究範圍與方法，關鍵字與名詞解釋。進而從藝術史觀點探討藝術中的機械美學，闡明機械在藝術中如何被讚揚。另一方面討論機械複製的藝術品，少了原創精神的獨一無二特性，藝術作品靈氣的凋零，這些複製品是否還能被歸類為藝術品。藉由這些學理在創作的理念上更增加不同的思考角度與觀念。 接著探討機械與人的關聯性，現代人的賽伯格現象，以唐納?哈洛維(Donna J. Haraway,1944-)1985年提出《賽伯格宣言》，現代人都是賽伯格的宣言來作創作理念，再進一步探討人類與機械的模糊邊界。各式各樣的機械帶給人類不同的生活便利，而巨大的機械體像半人半怪獸讓人們產生不安的恐懼感。延伸至二十一世紀，人類成了網路超連結的賽伯格，網路的虛擬界面與真實世界的社會哪個才是人類的生活世界？筆者的論文創作作品系列以此章節來作為創作的系列分類，表現人類與機械不同的關聯性。 最後透過作品的詮釋與分析，說明創作理念與形式風格，藉此創作對人體與機械做合體連結。了解不同的機械體與機械構造，嘗試不同技法的表現方式創作人與機械的不同結合方式，最後將女人與機械做完美的結合。 創作過程與文獻探討中，筆者陸續閱讀有關人類與機械的關聯性，了解更多機械的發展，至二十一世紀的電子產品網路超連結的科技，以及科學家想延續人類生命體而將人腦裝入機器體的可能性。這些都將幫助筆者未來如何表現在作品上的創作思維。
This “Women, Machines and Cyborgs” artwork intends to discuss the relationships between humans and machines spanning from the first creation of machines to the futurists’ praise of machines in the early 20th century. Later on “Machine Aesthetics” allowed machines to be displayed as a kind of artwork. Starting from 21st century, machines entered the Micromation era, and later the Internet cloud hyperlink technology accelerated the development. Human’s reliance on machines and Internet, no matter if the level of dependence is high or low, exists everywhere. Since the Internet’s virtual space has become the main communication channel among modern people, people are wondering if it is humans that rely upon machines or if humans are controlled by machines. This thesis is going to discuss the ambiguous boundaries between human and machines.First, the research motivation, purpose, extension and methodology of my artwork and research, and keywords and some specific nouns are explained. The Machine Aesthetics from an art history point of view is discussed to elucidate how machines are highly valued by art. On the other hand, the duplicated art crafts by machines are also discussed as they lack the uniqueness of originality and the spirits of artworks disappeared thereupon. It is debatable whether these duplications still can be called artworks. The theories will support a different angle to view these questions during the production of my artworks.The connections between machines and human beings are then discussed, and the Cyborg phenomenon among modern people is also included. Donna J. Haraway (1944-) proposed Cyborg Manifesto in 1985. In the Manifesto, she suggested that modern people were all considered Cyborgs. I adopted this concept to produce artwork and further explored the ambiguous boundaries between human beings and machines. Various kinds of machines brought people convenience, but on the other hand, gigantic machines, like half human half monsters, also created fears among people. Extending this concept to the 21st century phenomenon, we can say people are becoming Internet Hyperlink Cyborgs. Is the online virtual reality or the society in the real world the human beings’ actual life domain? This chapter is also my categorization of artworks to express several different connections between human and machines.At the end of this thesis, I analyze and elucidate my artworks by explaining how I produce concepts and styles to make the connection between human bodies and machines. After studying different robots and their mechanic structures, I adopted different techniques to present the different combinations between human and machines in my artworks. In the end, the combination of women and machines proved to be the most perfect one.During the process of artistic production and literature review, I read more and more about the connections between humans and machines. I also acquired a deeper knowledge of the development of machines, including the hyperlink technology of 21st century’s electronics, and how scientists are seeking to extend the human organism through the installation of a human brain in a robot. All of these ideas will provide a basis to express different concepts in my future productions. |
| Appears in Collections: | [美術學系所] 碩士論文
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