藝術模組化的問題探討--姚舜元的膠彩實踐與反思

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题名:	藝術模組化的問題探討--姚舜元的膠彩實踐與反思
其它题名:	A Discussion on the Modularization of Art: Practice and Reflections in Yao Shun-yuan's Asian Gouache Works
作者:	姚舜元 Yao, Shun-yuan
贡献者:	張惠蘭;李思賢 Chang, Hwei-lan;Li, Szu-hsien 美術學系
关键词:	個人自拍;中國當代藝術;模組化;膠彩 selfies;China contemporary art;modularization;Asian gouache
日期:	2014
上传时间:	2015-05-06T01:16:20Z (UTC)
摘要:	本文是以筆者就讀研究所期間（2011-2014）創作的膠彩作品為主要研究對象，其分別為以中國當代藝術為討論對象的〈Model〉系列，以及網路上個人自拍照為題材的〈大頭症〉系列。此二系列作品皆以「模組化」為議題討論之概念核心，亦是針對台灣當前膠彩創作中缺乏議題思辨題材的現況所作出的回應。此外，缺乏議題思辨題材的因素、作品創作歷程中所衍生而出的諸多問題，筆者也將在此論述中進行探討。筆者將此論述分為五章。第一章說明研究動機、目的及論述章節架構，並針對本文中所使用的「模組化」、「中國當代藝術」、「個人自拍」等名詞作出解釋，藉此裁切出本文的研究對象與範圍。第二、三章分別就筆者的〈Model〉系列與〈大頭症〉系列作品為討論範疇。在作品內容題材方面，筆者先以文獻探討的方式，從背景脈絡進行討論模組化現象之成因；在此二章的最後一節中，則說明各系列作品創作的形式、技法、過程等項目，並點出作品所延伸出的問題。第四章則以上述章節中的問題為基礎，亦藉由多位藝術家的作品為例，來進行問題的回應與反思。在此章最後一節之中，筆者也試圖提出在面對議題時，藝術家擇取膠彩為媒材進行創作得以採取的議題回應方式與材質性格的假說。第五章為結論，總結本論述各章節中對於議題的思辨，以及在膠彩創作方面的歷程與思索。 This paper discusses my gouache works during my graduate studies (2011-2014), including the Model series, which probes into China contemporary art, and the Bigheadedness series, which adopts selfies (self-portrait photographs often seen on the Internet) as its subject. Both series focus on the theme of modularization, responding to current lack of subjects for critical thinking in Taiwan's gouache works. Factors that result in such lack. as well as other problems faced during the creation of my work, are also discussed in this thesis. The thesis consists of five chapters. Chapter 1 explains the motive and purpose of this research and defines its subject and scope by introducing the basic framework and clarifying the terms used in this paper such as "modularization", "China contemporary art" and "self-portrait photos". Chapter 2 and 3 discuss my Model series and Bigheadedness series respectively. The discussions begin with literature review, examining the context where modularization takes place; the last sections in both chapters describe the form, techniques and creative process of the two series and make clear the questions raised in the works. Chapter 4 provides responses and reflections to these questions using examples from various artists. The last section proposes some methods artists could adopt when choosing gouache as their medium to deal with issues and hypothesizes the character of this medium. Chapter 5 concludes the discussions in previous chapters and my experience and thoughts in terms of gouache painting.
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