| Abstract: | 摘要 殘夢是一層面紗，只有經歷過歲月，從夢想中經過了現實，才算是揭開了面紗，屬於人生是夢的記憶。殘夢延續在記憶裡，如此輕盈，摸不著，看不到，如時間的縹緲，卻累積在人潛意識的幻化；如天上雲層捉摸不定的浮出。當意識到夢醒，追憶殘夢傳統的壓抑性格，作者不再羞澀於傳統對於感覺的壓抑，感覺就是感情的自我告白。 本論述作者讚成弗洛依德對於力比多是創作的原動力。因為人生只有透過有愛心的世界，才能繼續在現實和理想中捕捉靈光而創作，在創作上作者以女性自身感受的佛教氛圍追求現代的女性自由主義；企圖從傳統禁錮的靈魂做一個屬於心靈深處真正的自己，所以繪畫上的風格從灰色的境域、青色調震動到粉色調的渴愛的歷程，從創作上自我探索，自我認知到自我療癒。 因為做真正的自己需要經過不斷淬取洗練過，神思沉澱使之具有詩意的靈魂，所以本論述創作藉由質地研究法得到創作的智慧和品質，並藉由行動研究法在現實生活中的體驗與嚮往藝術史大師的創作挪用領會，作者創作追尋殘夢裡兒時對於女性初發心的震動，創作以本真、具有心型圖像元素的畫作。 本真是尋找內心的摯動，每個人來到這世界上都是來尋找有溫暖的感受，來這世界上很難得到應有公平的對待，但是尋找真愛是每個人應有的權利，作者以佛教徒在現代社會的體驗到空性是慈悲，主張追尋初發心的震動，在有限的生命裡，把握住人生得到的幸福，得到愛。而愛是慈悲和包容。 得到愛的泉源來自從己身所出的父母，當現實世界得不到愛時，只有自己可以愛自己，透過繪畫的創作自己自白的對話，也是自我與天地對話，繪畫藝術治療是開闊具有靈性、神性和詩性的視野。作者相信靈魂的永生，所研究女性自由主義是活在現實世界具邏輯思考的追求，公平正義與佛教徒內心的自我對話，愛心是沒有目的讓靈魂單純得永生。關鍵字:殘夢 壓抑 力比多 本真 初發心的震動 愛心 女性自由主義 佛教空性
Excerpt:Fragments of dreams are a veil. Only through the passage of time, from dreams into reality, can the veil be unveiled. The memories of dreams belong to your life. The fragments of dreams remain in the memories, which are so light that you can’t see and you can’t touch, just like the time that accumulates in our subconscious transformation. Like the cloud, you never know when it appears. From consciousness to the awakened, when we recall the traditional repressed characters from fragments of dreams, the creator is no more shy and doesn’t repress her feelings. Feelings are the self-confession of love. The creator agrees with the Freud’s theory that the libido is the original motivation for creation. Only through the love for the world, can the creator catch the imagination and create from reality and ideals. The creator feels Buddhist atmosphere and through the experience, she pursues the modern women liberalism. She endeavors to liberate the imprisoned soul and becomes the real self from the bottom of her heart. The painting style therefore varies from color to color. Grey represents area, green for vibration and pink for the desire for love. Via creation, the creator discovers, recognizes and heals herself. To be the real self, you have to experience so much in the life and through deep spiritual precipitation, you gain the poetic soul. The theory states that the creator gains the wisdom and quality from qualitative research method, and experience the real life through action research; in addition, learning from the artistic masterpiece, the creator looks for the beating of female’s true heart during the fragments of dreams in their childhood, inventing the heart-shaped paintings with authenticity. Authenticity means looking for the real self in the heart. Everyone looks for the warmth in the world. It is hard to be treated equally, but looking for true love is the right to everyone. From the perspective of Buddhists, the creator feels emptiness is mercy, advocating that we pursue the real self in the heart. In our short life, we should grasp the happiness and love. And love means mercy and tolerance. We gain love from the love of our own parents. When we don’t feel loved in the real world, we are the only one who should love ourselves. Through the creation of painting, we talk to ourselves, meaning talking between yourself, heaven and earth. Artistic healing is a way that broadens your vision toward spirituality, divinity and poetry. The authors believe the immortality of the soul and she researches the female liberalism to pursue the fairness, justice and the self-dialogue within the Buddhists. We love for no specific reason and simply hopes for the immortality of the soul. |
