形色萃取—萬瓊月的創作理念與形式

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 美術學系碩士在職專班 > 碩士論文 > Item 310901/28979

Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/28979

Title:	形色萃取—萬瓊月的創作理念與形式
Other Titles:	Extraction of Color and Appearance—The Creation Idea and Form of Chiung-Yueh Wan
Authors:	萬瓊月
Contributors:	張惠蘭美術學系
Keywords:	陌生化;色域繪畫;抽象藝術;色彩象徵;想像力 defamiliarization;color-field painting;abstract art;color symbolism;imagination
Date:	2016
Issue Date:	2017-07-13T08:00:52Z (UTC)
Abstract:	在筆者繪畫的歷程中，由於不能滿足於寫實繪畫的仿照，當然，有人會辯說，在模仿中也有創新，但不管有沒有或者它的創新百分比有多少，筆者很明確知道，想要做的是一種截然不同筆者以往具象繪畫的視覺呈現，想要跳脫桎梏常規，做另一種表達的可能方式，強烈的這股衝動，經過多次的構圖，發現大方的矩形色塊最能呈現簡潔之美與力度，因此，以色域繪畫之外衣，包裹筆者內在意欲，恣情揮就，表達另一種本乎現實又超乎現實，可以視為物質亦可以非物質看待的形色躍於畫布之上。事物的多面向、複雜性，筆者要把它純粹化，精煉化，猶如剝花瓣般，一瓣一瓣的剝開，見到香甜的花心，見到事物的內在。筆者試圖將普遍性的宇宙現象轉成個人獨特的畫作語彙，即從客觀物質世界出發，張開想像、聯想之雙帆，將目標對象物做顏色、形式的概括與萃取，做理性或直覺性的重新配置與組構，讓柔軟的內涵與冰冷的形式產生反差對比的矛盾與衝擊，以達陌生化的猜測、多重性解讀以及張力、驚奇果效的彼岸。或許悅人眼目，或許令人潛進沉思，或許驅動觀者的自由聯想，享受馳騁於天馬行空的樂趣，這些都是筆者創作目的之ㄧ。此次的創作與研究給予筆者莫大的實質養分，使筆者的繪畫基石更加堅實與穩固。筆者的未來展望是想再延續「形色萃取」這一個概念繼續創作，繼續發展「部分取代全部」這個理念，但放鬆囿於橫條紋與直條紋的限制，給予畫作更寬廣的可能視覺效果，在大小片色彩並置的抽象式佈局下，在色域繪畫有另一翻的轉型精進，做藝術之美的更多元呈現。 While some people certainly would dispute that innovation also exists in imitation, during the process of painting, however, regardless of the percentage of innovative novelty, what the author explicitly would like do is to express in another possible way different from visual presentation as representational paintings created formerly in order to be released from shackles because of being discontented with imitation of figurative paintings. With this strong impulse, the elegant colored rectangles were found as the best medium to show the power and beauty of conciseness with this strong impulse through composing procedures. Consequently, the author’s inner desire was enfolded in dress of color-field painting to arbitrarily and freely express forms and colors that not only originated from reality and beyond actuality, but could be considered both material and immaterial on canvas. The purpose of this thesis is to purify and refine the multi-dimension and complexity of everything like peeling flower petals one by one until seeing the aromatic and sweet core — reaching the inner realm of object. The author attempted to transform the universal phenomenon into the uniquely personal painting language, which started from the objective material world with sails of imagination and associations, went through the channel of rational or intuitive rearrangement and reconstruction by extracting and generalizing colors and forms of object in order to create contradictions and impacts between the soft connotation and the cold form, and ultimately arrived the other shore combined with amazing effects, defamiliarization surmise, as well as multiple interpretation and tension. Whether the artwork delighted viewers’ eyes, induced people to contemplate, or stimulated free associations of viewers with pleasure of enjoying unstrained ideas, the author’s aims of creating were unveiled.This creation and research provide author with enormous nutrition, which strengthen and secure the foundation of author's painting skill. The author's vision is to continue the creation based on extending the concept of form and color extraction and the idea of "segment replaces entire". Meanwhile, the author looses the confinement against horizontal and vertical stripes to offer more extensive visual effects. With an abstract setting of big and small color apposition to advance color field painting and present diversified artistic beauty.
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