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    Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/28984


    Title: 拉爾森《求你審判,吾王我愛》研究
    Other Titles: A Study of Try Me, Good King: Last Words of the Wives of Henry VIII by Libby Larsen
    Authors: 蘇柏容
    SU, BO-RUNG
    Contributors: 蔡永凱
    TSAI, YUNG-KAI
    音樂系
    Keywords: 莉比・拉爾森;求你審判,吾王我愛;亨利八世之妻子
    Libby Larsen;Try Me, Good King;the Wives of Henry Ⅷ
    Date: 2016
    Issue Date: 2017-07-13T08:10:53Z (UTC)
    Abstract: 莉比‧拉爾森(Libby Larsen, 1950-)為美國當代重要女性作曲家之一,喜愛創作聲樂作品,迄今已有超過兩百首的歌曲。而這組歌曲集《求你審判,吾王我愛》(Try Me, Good King)創作於2000年,不同於傳統藝術歌曲的取材,拉爾森針對英國歷史中,亨利八世與他的五位妻子間的書信來譜曲,直接引用書信為歌詞,忠實還原了當時人物的情感。這套作品結合了傳統與現代的音樂手法,前衛的和聲中卻有著英國文藝復興音樂的素材。拉爾森曾說過:「對我來說,最能夠吸引我的文字幾乎都是關於女性,在文字中展露了堅強、色彩以及無畏。」她以歌曲將皇后的性格、遭遇與心境展現得一覽無遺,成就了一部令人驚歎的現代聲樂作品。本研究將進一步探討,拉爾森如何將自由散文體與音樂結合,以及如何表現題材情感與現代音樂手法。
    Being one of the most valuable and productive composers of contemporary American music who favors vocal works, Libby Larsen (1950- ) has composed over 200 pieces of art songs. Created in 2000, the group Try me, Good king is representative of Larsen’s vocal works. It is a combination of modern and traditional musical techniques where contemporary harmonic methods were applied to Renaissance British music forms.Unlike conventional art songs, the group was composed accordingly to letters and prose writings of the five wives of Henry VIII, while the original words were directly referred as lyrics which faithfully restored emotions and surroundings of the figures. “Text that reveal strong, colorful and fearless people, many times women, are especially attractive to me”, said Larsen, she was inspired by these five miserable but brave women, through music she presented us their characteristics, their lives and their inner struggles, forging this magnificent piece of art that represents contemporary vocal works.In this thesis, Larsen’s approach integrating forms of prose writings and vocal music as well as emotion expressions of the subject and modern musical techniques will be further discussed in order to provide thorough understanding and in-depth interpretation of Larsen’s works.
    Appears in Collections:[音樂學系所] 碩士論文

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