Tunghai University Institutional Repository:Item 310901/29302
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    Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/29302


    Title: 《易經》神、氣、妙範疇與中國陶藝美學
    Other Titles: The Categories of “Shen(Spirituality)”“Chi(Vitality)”“Miao(Subtleness)”in Book of Changes as Aesthetical Foundation of the Chinese Potteries Art.
    Authors: 卓文煜
    Contributors: 林顯庭
    哲學系
    Keywords: 易經;;;;中國陶藝;陶藝家;美學
    Date: 2016
    Issue Date: 2017-07-18T03:24:20Z (UTC)
    Abstract: 摘要本論文以《易經》「神」「氣」「妙」範疇,加上中國美學所看重人對於美的先天感受能力「直覺」作為發端,探討人如何感應天地精神﹖人如何感通形上本體﹖以及「神」與「氣」與「妙」之間的互證關係,其探討目的,乃想從《周易》文本及《易》理思維的脈絡,思考「主體精神」如何能感通客體之善美內涵及本體之真﹖期能在思考的過程之中尋求人之精神的普遍性,並進一步探究由《易》理顯示的審美範疇之美學體系,以及審美直觀所朗現出《易經》「神、氣、妙」範疇的美學義涵與中國陶藝的創作精神。《易》理提供中國陶藝人天共感、人際通感、人器交感之審美意象,吾人借現代兩位陶藝家之作品與美學思想,揭示「體用合一」、「道器不二」的哲學實踐與美學體現。關鍵字:易經、神、氣、妙、中國陶藝、陶藝家、美學
    Appears in Collections:[Department of Philosophy ] Theses and Dissertations

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