若即若離-詹琇鈞的情感地域與記憶描圖

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 碩士論文 > Item 310901/30915

Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/30915

Title:	若即若離-詹琇鈞的情感地域與記憶描圖
Other Titles:	Neither close nor away-CHAN, HSIU-CHUN’semotional zone through memory tracing
Authors:	詹琇鈞 CHAN, HSIU-CHUN
Contributors:	李思賢 LI, SZH-HSIEN Professor 美術學系
Keywords:	故鄉;風景;若即若離 Hometown;Scenery;Blurring stage
Date:	2018
Issue Date:	2018-11-07T06:28:48Z (UTC)
Abstract:	我的創作始終有山與海的風景意象。我所居住的故鄉，位於地圖上的東方，而居住地可以遠眺花蓮港;花東縱谷與山脈、海洋有種密不可分割的關係。我藉由花蓮到台中往返的風景繪製，傳達了人與人之間的距離的在樣態與處境，使看山不是山，使風景不只是風景。從風景的拍攝到繪製，我以若即若離的方式描繪景色。這些景色是能夠遠觀、近觀、也能夠細看的場域，比喻人與人之間的距離;然而，因為彼此的對比，使兩者在同一個畫面上，看似互不相關，但卻試圖結合得恰到好處，而這些東西都是貼近日常生活的真實，我用這個若即若離並且拼貼的手法，無非是想組合出新的幻想世界，來陳述我的情感地域與記憶描圖。我的論述分五個部分:第一章，研究主題的動機、研究方向與歷程，以及靈感來源。第二章，從家鄉為首要研究，延伸至人與人之間的距離，到空間上的風景與山水。第三章，參考藝術史相關文獻，接著探討相關藝術家的作品，再談到草稿轉移到作品的構成關係;最後，談材料與顏色在創作上的可能性。第四章，談論自身作品，以研究所時期的過渡與啟發，談述從家鄉到都會地區的作品風格的結合，並分析創作內容和轉變，延伸至對於風景與自身情感的表達。第五章，統整到東海研究所創作歷程的整理、態度轉變與未來期許。 People might be curious that how come the mountain and the Sea are consistently appearing in my works. When I talked about my works, I couldn’t stop mention about the relationship of my art pieces and my hometown. I drew the majority of inspirations from my hometown. It’s a place that has a deep connection with the mountain and the sea. Through this method to express the complicated relationship and situation between people. In this way to observe the things. Mountains are not just mountains. Scenery is not just scenery. The concept of “absent and present scenery was demonstrated from photo taking to my work creating process. A story and scenery can be seen closer or further, as if the distance between people. The contrasty brought the both side together into a picture that looks seem irrelevant, but somehow perfectly matching each other in a way. Those elements are close to the reality and inspired from our daily life. I used this concept and method with an intention to resemble a new fantasy world that can express the emotion and memories in my head. This essay is divided into five parts. The First Chapter is the statement of my intention, and the drawing methods i used for this project based on my study from MA program. And how I brought the style of my hometown with modern contemporary city, merge both together into my works. The Second Chapter, I started from studying my hometown and the silence I experienced from art creating process to the environment and situation of blurring and untouchable. Besides, refer artists who had used similar research methods from art history. The Third Chapter, it’s analyzed the content of my work and how it changes based on the situation of blurring among people, and discuss where will it lead me to. In the Forth chapter, will focus from the feature of the materials and the possibility of them on art creation to how I express my emotion of scenery on art pieces through the materials from an overlooking point of view. Besides, refer artists who had used similar drawing techniques in their works from the art history. For the last chapter, it summarize the journey of my artwork process inTUNGHAI University. And the change of my aspect to the life, and my expectations for the future.
Appears in Collections:	[美術學系所] 碩士論文

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