| Abstract: | 摘要本文分成兩個部分，第一部分就自己的背景出發，討論創作動機、題材選擇及媒材和表現形式。第二部分細論作品，羅列不同時期作品的流變發展，釐清單張作品中想要呈現的人地互感和想表達給自己的反思預言。從感受環境、感受自己，到互相影響，回到社會中位置的藝術意志。從自己的求學背景談起，對自然和植物了解的起點出發，結合人類與環境之間的文學想像，描述自己如何透過創作媒材的摸索和研究，把自然和人矛盾多元寬容交雜的關係有意識的融合到圖像創作中。挑選《那些讓人繼續的時光》和《樹系列一》和《樹系列二》的單張系列，來闡述作品題材的選擇原由；也藉〈啊!星星〉這樣的連續圖畫，表達想用故事的感染力連結不同領域的企圖，藉兩種創作路線的分進合流分析自己在倡議爭執與合作融合的矛盾中，仍想參與社會的創作定位。本篇論文除了交代作品作為倡議和溝通的形式和其意涵，也作為自己創作過程的反思錨點。大綱編排中，緒論始於自己的成長求學背景和對大自然的連結。第二章選擇樹木為自己投射對象的原因，討論樹木的造型特性和它給我的能量。第三章闡述自己模擬對話的企圖，並以《那些讓人繼續的時光》為例分析自己的創作媒材方法；第四章以《樹系列一》和《樹系列二》為例講述人和環境如主客觀間的情感互移進而互相影響，也以〈啊!星星〉描述另一路線的異同。第五章總論動機、目的到發展的方向和未來的想望，以此論文爬梳自己的創作脈絡，並提供給讀者一個閱讀作品和了解作者的簡介導覽。關鍵字：樹、找尋自己、情景互移、連接
AbstractThis thesis consists two parts. The first part introduces myself (the artist) by narrating my background and several turning points in my life, and then explains the motivation of creation and the motif, the choice of materials, and the forms of expression of my work. The second part introduces the developmental stages of my creative work by examining individual pieces. The interpretation of each painting explains how it presents the human-nature relationship to the viewers, and how it reveals the inner self reflection of the artist. Throughout the process of creation, I experienced firstly the Mother Nature, my inner self, and then the connection of nature and self, and finally I decided to reposition my art back in the society.Starting from introducing my (the artist’s) learning background and the beginning of my understanding of nature (especially plants), the first part of this thesis describes how I, through exploring and studying materials, intentionally integrated the diverse and inclusive, and/or even contradictory relationship between human and nature into the creation of images. Single pieces of painting are chosen to explain the motif I dealt with, while image strips reveal my attempt to connect different fields. Through these two types of painting, I intend to make clear the decision of taking part in the society, in spite of the necessity of placing myself in the consistent contradiction of arguing and compromising. In other words, my creative work serves not only as a form of advocacy and communication, but also as an expression of my inner reflection.There are five chapters in this thesis. The introduction gives an overview of my background and my connection with nature. Chapter 2 explains why I chose trees to be the theme, and discusses the appearance and the characteristics of trees, as well as the energy they provide for me. Chapter 3 presents the results of material study by examining the single painting “Those Times that Make Me Keep Going.” Chapter 4 discusses the mutual affection between human and the environment through the interpretation of the “Tree Series 1” and the “Tree Series 2.” In addition, this chapter also introduces another type of creation by analyzing the work of “Ah! Star!” The conclusion chapter summarizes each phase of my development and provides guidance for the readers to learn about me and my work. |
