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Please use this identifier to cite or link to this item:
http://140.128.103.80:8080/handle/310901/31386
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| Title: | 凝存 |
| Other Titles: | Being |
| Authors: | 吳絲絨
WU, SZU-JUNG |
| Contributors: | 林文海
美術學系 |
| Keywords: | 凝存
Being |
| Date: | 2019 |
| Issue Date: | 2019-03-21T09:05:09Z (UTC)
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| Abstract: | 簡述過去生活在金門記憶意象中的古樸感及時間痕跡為研究主題，並反思處於當下在臺灣現階段生活感受所揮灑表現為特色。因此在研究資料的來源以過去及現在時間流動，讓意識自然流出、形成畫面，同時也與自己內心對話的過程。從內心共鳴啟發了我開始多年前的探索、回顧與檢視，到終於願意臣服和勇於承擔的漫長過程，才日益獲得的清楚覺知存在。再透過實際的創作，探索內心真實的存在，找尋藝術形式表現的可能性。研究期間以2016～2018年間為主要之創作，以個人對時間生命軌跡為創作的主體，在情感上的表達和整理結束後，依照本論述走向開始進行創作的嘗試，存在之「凝存」，已成為個人生命現象的表徵。並一一介紹以此方式為基礎所創作出的作品和作品內容。本論文在體現並研究筆者對於創作上，關於生活在記憶及當下之探討和論述的脈絡分析如下：一、 敘述研究繪畫主題的動機，針對畫作內容的研究和整理二、 以童年記憶中回溯個人存在，從中探討創作意與象的表現。三、 探討時間感性直覺形式，對創作主題與內容相對應的關係及影響。四、 最後對於發想—整理—思考—實際創作這樣的流程，在結論中談論各階段所受到的啟發和影響，以及整個創作流程的心得。
By briefly describing the past living memory of Kinmen, take the simplicity and time traces from old images as research topics, and make a feature of the reflection from the present life experience in Taiwan.Therefore, during the process of sorting materials, focus on the flows in the past and the present, let the image form by allowing the consciousness stream out naturally, and have a dialogue with deep inside as well.The inner resonance inspired the exploration, review and self-question since many years ago, and finally willing to surrender and admit the clear awareness of existence due to these long process. Then through practical creation, explore the inner reality and find the possibility of art expression.Based on the works from 2016 to 2018, the main body of these is made by the track of lifelines during the study period. After the expression of emotion finished, start try to produce creations depends on the direction of this discourse. Being has been the symptom and certification of self-lifelines. And introduce the works created on this basis in detail.This thesis reflects and studies the authors’ creations related to living memory in the past and present, and the analysis of discourse, breakdown by items in below,1. Talking about the motivation of research topics for creations, narratively study and sort contents of works2. Recall the personal exit from childhood memory, discuss the performance of imagination and conception during works creating.3. Reason the emotion and instinctively way of time, the relation and impact for creation topics as well.4. Present the whole process starts from initialize ideas, sorting information, thinking, and creating practicallyIn the last, talk about the inspiration and influence at every steps of this thesis, and also what had been learned during the whole process of create. |
| Appears in Collections: | [美術學系所] 碩士論文
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Files in This Item:
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Description |
Size | Format | |
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| 107THU00233005-001.pdf | | 12523Kb | Adobe PDF | 413 | View/Open |
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