Loading...
|
Please use this identifier to cite or link to this item:
http://140.128.103.80:8080/handle/310901/31627
|
| Title: | 虛見—微觀 |
| Other Titles: | The Illusory Microcosm |
| Authors: | 許喬茵
HSU,CHIAO-YIN |
| Contributors: | 張惠蘭
CHANG,HWEI-LAN
美術學系 |
| Keywords: | 微觀;凝視;擬態;抽象移情
microcosm;gaze;mimicry;abstraction and empathy |
| Date: | 2019 |
| Issue Date: | 2019-12-16T03:54:12Z (UTC)
|
| Abstract: | 曖曖微光中，遊走在城市中孤獨卻自由的靈魂，身為一位創作者所真正追求的是生命或自然的本體，即真正的自由與徹底的表達。 本論文的創作論述主要分為六個章節。第一章主要以創作動機與目的、創作理念來作為緒論開頭。第二章以當代生活中「改變的觀看方式」做為開端，並列舉藝術史裡與我同以微觀的方式或以眼睛作為題材創作的藝術家，其風格及作品特色去呼應參照。第三章主要闡述藝術中的「抽象概念」與「移情說美學」皆來自於生活與自然的感受以及日常生活的視覺經驗所構成；並以源自自然界的混沌和宇宙間關係的碎形幾何學來討論藝術中的抽象，其源於自然萬物。第四章則開始透過造形與色彩以及創作技法來分析作品；並以短詩文字的方式，敘說作品的理念。第五章則透過研究精神分析學說，以自然生態學中的「擬態」行為揭示在觀看中「凝視」與「被凝視」之間的主體建構關係。探討蝴蝶翅膀上如眼睛般的眼紋其表象的不可見性。以及最後以「圓」作為創作論述內容的結尾，圓裡圓外，既向內，也向外，無限迴圈再迴圈，永無休止地循環。希望藉以表述藝術並非終點，也沒有終點，而是作為一個起點，能夠周而復始的延續著。 最後的第六章總結，作為一種回觀，爬梳研究所三年以來的創作過程，也再次梳理了一遍自己的思緒。在這虛幻紛擾的世界，生命與存在是相生相息的，彼此牽絆、交纏，卻從不停頓，永不休止，直至最終化為混沌。
In the glimmer of light, the soul is lonely but free strolling around the city just like the creator, what we are chasing is the essence of life and nature, which means true freedom and truly thorough expression. There are mainly six chapters of the paper listed here: Chapter I-- Preface: This chapter describes the artist’s motives, purposes and the concept of the creations. Chapter II：This chapter begins with the ways of seeing changing in contemporary life. See things from the microcosmic perspective, extracting abstract images as the means of expression. Also list the artists in the art history, who also created their works from the microscopic perspective or used eyes as the theme, the style and the characteristic of their works. Chapter III：To expound the abstract concept and empathy aesthetics in art, which are composed of the experience of life, the feeling of nature ,and the visual experience of daily life. By using Fractal Geometry derived from the chaos of nature and the relationship between the universe to discuss the abstraction in art, it is all due to nature. Chapter IV：This chapter begins with analyzing the artist's works through the shape, color and the creative techniques. Meanwhile, the concept of the work is described in the form of short poems. Chapter V：The chapter analyzes that mimicry behavior in psychoanalysis reveals the subjective construction relationship between viewing patterns of " gazing " and "be gazed" . To explore the invisibility of representation of the eyespots on butterfly wings. Finally, ending with "circle" as the content of the creation, the circle is round and round, both inward and outward, and the infinite circle is looped again and endlessly. I hope to express there is no the end but a starting point of art continuing from the beginning to the end. At the end of the last chapter VI—Conclusions：As a retrospect, organizing the creative process of postgraduate for the past three years, and also sorting out my thoughts again. In the end, life and existence are interdependent and intertwining with each other but never stop, until they finally turn into chaos. |
| Appears in Collections: | [美術學系碩士在職專班] 碩士論文
|
Files in This Item:
| File |
Size | Format | |
|---|
| 107THU00233013-001.pdf | 4632Kb | Adobe PDF | 703 | View/Open |
|
All items in THUIR are protected by copyright, with all rights reserved.
|
