日藏對話

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Title:	日藏對話
Other Titles:	Daily conversation
Authors:	廖乾杉廖乾杉LIAO,CHIEN- SHAN
Contributors:	段存真 TUAN,TSUN-CHEN 美術學系
Keywords:	勞動性格;記憶的溫度;日常;雕塑性 the character of labor;the temperature of memory;daily;sculptural
Date:	2019
Issue Date:	2019-12-16T03:54:48Z (UTC)
Abstract:	摘要面對創作，「藝術」對我而言，那是2010進來東海讀美術進修學士班以後才開始去思考的事。雕塑是我的創作觀念，也是我的創作技能，我喜歡在雕塑的勞動進程中一點一滴，慢慢在程序中享受作品完成的期待式。而2014父親過世後，我開始整理父親以前大量收集的物件，我們以前眼中的「垃圾」物件，這些物件我把它變成雕塑材料去創作，在這些現成物創作中，我也從中試驗自己雕塑創作的可能性。從2015年到2018年三、四個展出中一直處理著它們，但畢竟這些物件都是父親累積下來的，有著大量家族情感，那份對父母親的失去，和那些逝去的世代感受，這些情緒總讓我感傷。在2018結束了「養生術」個展後，我也覺得在這些家中的遺留物的創作，應該是要到一個段落了，想去重拾以前做雕塑的那份「幸福感」，因為那些現成物創作有的只是「失落感」。面對父母親逝去的失落，我開始審視自己生活擁有的，是友情、是愛情、是親情……，我們只是平凡人，環顧四周，太陽升起照在桌前如常，在身邊的朋友也沒多幾個，這些就是我的日常，我想珍惜的「日藏」。創作表現終究還是要進入形式考量，對雕塑的勞動享受，就像有人喜歡上健身房運動一樣。面對日常之物變成我的創作之物，日常之情變成我的創作內情，而這些也只是我的小情小愛以及喃喃自語，做法中大部分是把日常之物放大進行創作，在這些雖然屬於個人情感之中，難免也必須在美術史的脈絡，去自我釐清及做一個意義上的界定，關於那些普普年代的作品背景，關於處理日常情感的經典研究，在這些研究下自己感覺可以做得更久、更多、更遠……。關鍵字：、勞動性格、記憶的溫度、日常、雕塑性 AbstractI had never started to think of creation and "arts" until I entered the Department of Fine Arts, Tunghai University to study in the continuing education bachelor degree program in 2010. Sculpture is not only the creative concept for me, but also my creative skills. I'd like to slowly and gradually enjoy the expectation of the finished work in the process of sculpture. After the death of my father in 2014, I began to sort out the objects collected by my father in the past. I used the objects, so called "garbage" In the past to be my sculpture materials for creation. In these ready-made works, I tried the possibility to create my own sculptures. From 2015 to 2018, I had been dealing with them in my 3 to 4 exhibitions. However, these objects were accumulated by my father, and they have a lot of family emotions after all. The loss of parents and the feelings of those who have passed away always make me sad. After the end of the "yang sheng shu" solo exhibition in 2018, I felt that the creation of these family rem-nants should be finished, and I want to regain the "happiness" from sculpture creation like before, since there is only a sense of "lostness" in the creation of those ready made objects.In the face of the loss of my parents, I began to examine what my life has, is friendship, love, affection...., we are just ordinary human beings, looking around, the sun rises and shines at the table as usual, and the friends around me are not a few more,..... These are my daily life, and my cherished "Daily Treasure".Performance of creation needs to enter consideration of form finally. The enjoyment of sculpturing labor process is just like some people like to exercise in gym. In the face of the daily oblects becoming my creations and the daily emotions become my inner emotions, these are just my little love and murmuring. Most of these works of the daily objects are to create in an enlarged viewpoint. Although these are personal emotions, it is inevitable that they must be in the context of art history, to clarify themselves and to make the definitions of meanings, ....about the background of the works in the age of POP Art, ....about the classic researches of dealing with daily emotions,.... under these researches, I feel myself able to be doing longer, more, and farther...Keywords: the character of labor, the temperature of memory, daily, sculptural
Appears in Collections:	[Graduate Program in Fine Arts for Professionals ] Master's Theses

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