境、鏡、淨－黃世昌創作理念

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Title:	境、鏡、淨－黃世昌創作理念
Other Titles:	Circumstance・Reflection・Mindfulness Huang,Shih-Chang's Art Concept
Authors:	黃世昌 HUANG,SHIH-CHANG
Contributors:	李貞慧 LEE,CHEN-HUEI 美術學系
Keywords:	水;倒影;境;鏡;淨 water;reflection;circumstance;reflection;mindfulness
Date:	2019
Issue Date:	2019-12-16T03:54:54Z (UTC)
Abstract:	境、鏡、淨三個系列為筆者研究所期間的創作主體,而本論文以探索自己創作過程中的轉變,為主要研究主體。境系列是研究所初期的創作主題,透過反覆的雨絲,營造一種惆悵與詩意的意境,讓人彷彿踏進無限的時空中,感受一種的虛無美感,同時也讓觀賞者獲得精神上的慰藉。鏡系列是採用雨後積水上的倒影, 顯現鏡花水月般的理想世界,並通過水面上的鏡像,讓人重新反思自己、重新認識自筆者。最後的淨系列,透過光與暗,調和正反兩面,均衡心靈的天秤兩端, 使內心淨化,完成追求至善的完整過程。本論述全篇分為四個章節,第一章為創作動機與目的與創作方法。創作動機主要是自己想透過創作來面對當代社會年輕人皆會面對的問題,並通過攝影及寫生的創作方法重新詮釋畫面,來宣洩自己的情緒與描繪心中的理想世界。第二章藉由孟子的「盈科而後行」來作為創作理念,並透過文學作品的故事與內容, 來理解古人是如何透過文學創作的方式,來表述自己的理想世界。第三章藉由個人繪畫創作的探索,講述如何利用作品的內容分節,來清楚地掌握自己創作的語言。第四章作品個別分析,來印證前三章,創作中的階段性轉變,以及情緒上和思想上的轉變,講述如何搭配構圖來述說創作的意涵,以及如何透過畫面呈現自己的理想世界。最後結論的部分是筆者對藝術創作的觀點、未來將如何繼續堅持創作,為筆者這三年的創作作一個完整的分析統整,梳理出自己的創作風格及未來藝術發展的脈絡。 Circumstance, Reflection, Mindfulness. These three words are meant to describe the successive stages of the author's creative process.Circumstance is the initial creative subject. The circumstance of light rain evokes a poetic and melancholic mood, to make the viewer feel free from daily care. This empty beauty is meant to offer a spiritual consolation. Reflection uses a post-rain puddle reflection to demonstrate an illusory ideal world. The reflection on the water's surface causes the artist to reflect on his own nature, and better understand himself. The final stage is mindfulness. The condition of light and dark represents a reconciliation of internal conflict, a way to balance the mind, and seek inner peace.This thesis is divided into four parts. The first presents the artist's motivation, goals, and method. The main creative motivation is to explore the situation of youth in modern society. I am using photography and natural sketches to divulge my emotion and portray my heart's ideal world. The second part uses the line from Mencius "不盈科不行" ("fill the gap before flowing on") as the artistic concept. I attempt to understand how people in antiquity created works of literature to express their ideal world. The third part explains the meaning of individual elements within each painting. The fourth part explains how individual artworks relate to the concepts in the previous three parts, and how their composition is matched with the artistic meaning. The final conclusion is my view of artistic work, and future artistic ambition.It gives a complete analysis of my three years of work, and attempts to sort out my own style and future artistic development.
Appears in Collections:	[Department of Fine Arts ] Master's Theses

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