土地的記憶 - 王枚鈴的創作理念與風格

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 美術學系碩士在職專班 > 碩士論文 > Item 310901/31632

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题名:	土地的記憶 - 王枚鈴的創作理念與風格
其它题名:	Memory of The Land -Wang Mei Ling's Concept and Style of Creation
作者:	王枚鈴 WANG MEI LING
贡献者:	李貞慧 LEE CHEN HUEI 美術學系
关键词:	記憶;土地 Memory;The land
日期:	2019
上传时间:	2019-12-16T03:54:59Z (UTC)
摘要:	創作是紀錄是溯及故往的回憶，雙眼在一開一闔間如相機的快門，從認識這個世界的那一刻開始，記錄著所見所聞一路行來所感受的點滴。藉由對自身所處環境變遷的自覺，透過繪畫創作傳達一份靜謐的情感。人與土地之於空間之間的關係本就是緊密並且達到一個平衡，然而現今產業文明下開始產生變化與衝突，在過去與現實交錯中來回尋覓，眼前的新舊建物在歷史交替間，試圖於這衝突的對比中尋找平衡。也因此以土地的記憶作為本次創作探討的主題，以個人的記憶將生命故事，透過觀看的方式將對土地的情感與當今社會發展保存於創作中，亦是與自己的過去對話並整理，此時期作品分別為「時空場域的起點」、「連結」、「綿延」。第一章敘述創作動機、目的及研究範圍與方法，循著自身生長根源的同時是回顧與紀錄，將情感收錄於畫面，也在這創作的過程中沉澱省思更確立風格。從研究方法的觀察法、比較分析法、實踐創作法、文獻探討法裡明白自己的創作理路與歷程。第二章從觀看角度透視自身記憶裡的場景，以回溯曾在的記憶及創作之源起，在現實與理想的衝突中回觀生命的本質，在對立與矛盾中尋找共榮的平衡，透過植物的堅韌隱含情感的緊密相連，由境傳達感物興嘆之情。第三章以新舊建物之間的語言作為情感連結，藉由花生生長的串連作為土地與家人情感相依的一條迴路。第四章以回溯、連結、綿延作為創作脈絡與作品的色彩、風格找尋出一條路。第五章結論則為創作歷程的總結。 The creation tries to record the old memories. The human eyes function just like a camera. From the moment we see the world, we start to record and memorize everything we have learned, felt and heard. Because of the self-consciousness of the changes on surrounding environments, I draw to express feelings.The realtionship between human beings and the lands (space) was very intimate and balanced. However, the changes and conflict start to occur following the industrial and cultural revolution. I keep searching the past and the present. I also try to find out the balance for the conflict between the old buildings and the new buildings. Therefore, I use “Memory of The Land” to be the topic of the creation. By the ways of insights, I collate the memories from my life and then I work in the creations/art works in order to preserve both my feelings on the lands and the existing social developments. My creations also present the conversations with my old past. The creations can be divided into three stages: 1. back to the old time; 2. The connection with the peanuts; 3. The extension of Green Concept.Chapter One describes the motivation of the creation, the purposes, the research extents and the research methods. I trace back to my childhood and preserve the feelings on the past in the creation/art works. During the process of making the creations/art works, I am able to quiet down my mind and create my own style. From the research metholds including the observation, comparative analysis approach, creation practice approach, literature review, I get to realize my ideas and the process of my creations. Chapter Two talks about the insights of the scenes from the personal memories. I trace back to the origin of the memories and the creations. From the conflict of the reality and the dream, I give an inside look at the essence of life. Further, I look to find out the balance from the conflicts and contradictions. I express the feelings by means of the intimate connections with the plants. Chapter Three link by new and the old building between language.as the emotion. The growth of the peants forms the intimate relationship between the land and my family. Chapter Four talks about finding way out for the context of the creations, the colors and the styles based on the trace of the origins, connections, and the extensions Chapter Five makes the conclusions of the process of the creations.
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