| Abstract: | 摘要 創作關乎創作者的意識與未知的潛意識，作家用文字書寫思想及情感，創作者則在作品中展現不同的造型與符號，用影射、象徵來表述其意義，除此之外那些隱含的企圖，或筆觸、或肌理、或擦染......都試圖展現個人的意志與情緒。 「方」、「圓」造型是人類文化中最廣而熟知的圖像，透過「方」、「圓」的文化性探究、完形理論及「方」、「圓」的現代性討論，進而梳理創作之脈絡；探究水墨中的虛空間與包裹的同心圓，透過挖掘圖像意義並嘗試剖析內心深處的心理情感，並在創作中發展時間性的造型軌跡。最終，透過觀察並撿拾身旁物體，以勞動、收集、積累、梳理，將之拓印再現於畫面中，存在是當下此刻，用畫面保留物的痕跡，並步向方圓之外。 對於習慣硬筆書寫的手來講，水墨是奇妙的觸發，使用圭筆置於方形畫板的中央，筆觸繞著中心填增，更像是一種類似素描的書寫過程，在不斷重複的筆意中，建構出了一個又一個圓，也讓焦躁的心平靜下來。外方內圓的輪廓，展現「天圓地方」的東方思維，透過一虛一實的同心圓，影射著被圍困的主體，是既在內又在外的矛盾情感。最終作品完成，筆者與圍困意識共存化為天人合一。
AbstractCreation is about the creator's consciousness and the unknown subconsciousness. The writers write thoughts and emotions in words. The creators show different shapes and symbols in the works, express their meanings with insinuations and symbols. Besides, other implicit attempts, brushstroke, texture, or rubbing...all tries to show the individual's will and emotions.The "square" and "circle" shapes are the most widely known and well-known images in human culture. Through the cultural exploration of "square" and "circle", the gestalt theory and the modern discussion of "square" and "circle", they comb the context of creation. To explore the virtual space and the concentric circles in the ink painting by looking into the meaning of the image, the creator tries to analyze the psychological emotions deep inside, and develop the temporal modeling track in the creation. In the end, the creator picks up objects by observing, laboring, collecting, accumulating, combing, and reproduces them in the picture. There is a trace of the current object, and it is outside the square.For the hand that is used to writing hard pens, ink is a wonderful trigger. The pen is placed in the center of the square drawing board, and the brush strokes are filled around the center. It is more like a sketch-like writing process. In the repeated writing, it constructs one circle after another, as well as calms the restless heart. The outline of the inner circle reveals the oriental thinking of "the place of heaven and earth". Through a virtual concentric circle, it reflects the besieged subject, which is a contradiction between the inside and the outside. After the final work is completed, the author and the siege consciousness coexist into the unity of nature and man. |
