此報告研究莫札特A大調鋼琴協奏曲，K.488，其主要內容包括:(一)寫作的歷程、風格，包括歐洲當時流行的音樂風格:嘉蘭特風格、複音音樂風格、真情風格、義大利歌劇風格以及即興風格。(二)分析一二三樂章:第一樂章，奏鳴曲式的應用。第二樂章，西西里舞曲與歌劇詠唱調的應用。第三樂章是表現喜歌劇費加洛娛樂精神的輪旋曲式。(三)演奏詮釋的探討:持續低音是否要演奏、K. 488的速度、鋼琴的音色，以及樂句中連鎖動機。 This paper is a study of Mozart''s piano concerto in A major, K. 488. The paper includes three major sections:(1). Mozart''s life and his varies styles,including Empfindsamer style, Galant style ; (2). an analysis,with diagrams, of the form of K.488, the first movement being in concerto-sonata form, the second movement being in ABA form, and the third movement being in rondo form; (3). the discuss of performing interpretations with regard to tempo, timbre, dynamic, pedaling, and so on.
