Tunghai University Institutional Repository:Item 310901/5536
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    Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/5536


    Title: 數位環境下以既存建築結構元素為基礎的空間形體演繹操作
    Other Titles: Form Generation through Digital Tools On the Basis of Existing Architectural Structure-Elements
    Authors: 王治國
    Wang, Chih-Kuo
    Contributors: 劉舜仁
    Liu, Shuenn-Ren
    東海大學建築學系
    Keywords: 孕育;既存建築;演繹建築;大雪山林業公司;框性結構斷面描述法
    Gestation;Existing Architecture;Generative Architecture;Tahsue Mountain Forestry Company;The description of Framing Structural Cross-section
    Date: 2002
    Issue Date: 2011-05-19T08:42:14Z (UTC)
    Abstract: 本論文設計嘗試利用實際之操作,探索當代建築思潮中兩項倍受關切議題-「數位形體生成方法」及「既存建築」-結合時,於空間形體演繹、誘發上之可能性,進而利用操作之過程與結果,建立一套具實驗性的「數位性演繹建築」之「孕育」法。本論文設計之主要內容包含了五個部分: 第一部份-----目標確立與基礎文獻回顧形體發展之趨勢及形體生成操作之方式,與幾何空間觀及操作之工具間,有相當緊密之關聯。本論文設計首先藉由回顧傳統、當代相關的形體生成理論、案例,以瞭解此領域發展之脈絡,並形成本研究之背景。 第二部份-----框性結構斷面描述法基礎觀念之建立在既存結構解析之工具上,本研究嘗試引用「重複」、「斷面」、「化約描述」、「歐氏幾何線性元素」等觀念,做為框性結構斷面描述法之基石,並說明其基本意義、適用之對象,以及操作步驟。 第三部份-----基形生成與構形生產之操作此為本論文設計操作之前半部份:「基形生成」與「構形生產」之操作,各包含了兩個階段,前者有「解析」與「差衍」;後者有「遞移」與「構連」。本文以大雪山林業公司之舊大製材廠為「解析」之對象、小製材廠為「遞移」之對象,依序實行基形之生成與構形之生產,且將構形之結果予以呈現,並從事構形空間之相關推想。 第四部份-----塑形誘發與塑形空間衍生之探索此為本論文設計操作之後半部份:「塑形誘發」與「衍生」之操作,各包含了兩個階段,前者有「分延」與「塑合」;後者有「疊層」與「異動」。此部份以構形為「分延」之對象、塑形為「疊層」之對象,依序實行塑形之誘發與塑形之衍生探索,除將塑形之結果予以呈現,並從事塑形空間之相關推想外,亦呈現塑形衍生之可能性,並提出空間上之使用建議,預測數位空間未來之發展遠景。 第五部份-----相關討論、結論與後續研究之建議最後一個部份討論本論文設計之操作程序,以及完成之「塑形」於數位環境中之定位與價值,並歸納本研究之結論,提出後續相關研究可能發展之方向與建議。
    This thesis design attempts to use practically operation to research the possibility of combining with two subjects in contemporary : “Processes of Digital form” & “Existing Architecture”. And showing the procedure of “Gestation” of digital “Generative Architecture” experimentally. This thesis design consists of five major parts. They are shown as follows: Part Ⅰ--- Destination establish and lectures reviews.There are some close relation between the trend of form developing, the way of form-making, the concept of geometry space, and the operated tools. First, to understand the consistent sequence of ideas by reviewing traditional and contemporaneous theories about form-making, and the cases for the later operation. Part Ⅱ--- The basic concept of the “Description of Framing Structure Cross-section” established. This research attempts to cite the concepts of “Repetition”, ”Cross-section”, “Simplificative Description”, and “Elements of line” to be the foundation of the “Description of Framing Structural Cross-section”. And making description of the basic meaning, suitable object, and operated processes. Part Ⅲ---The operation of “Basic-form making” and “Composite-form developing”.This is the first part operation: the operations of “Basic-form making”, including “Analysis” and “Differential Generation”. “Composite-form developing”, including “Migration” and “Constructive Linkage” afterwards. This research not only takes the old major timber factory of Tahsue Mountain Forestry Company as the “Analysis” object, but also old subordinate timber factory of “migration” object. And step by step representing the consequence that carrying out the “Basic-form making” and the “Composite-form developing”. And working on the related generalization . Part Ⅳ--- The exploration of “Plastic-form inducing” and the plastic-space generating .This is the last part operation: “Plastic-form inducing”, including “Differential Transformation” and “Plastic Integration”. “Generation”, including “Overlap ” and “Flexible Movement” .This part not only takes “Composite-form” as the object of “Differential Transformation” but also “Plastic-form” of “Overlap”. And step by step representing the consequence that carrying out the “Basic-form inducing” and the plastic-space generating. Then working on the related generalization, showing the possibility of plastic-form generating. And proposing the using-suggestion related; figuring out the digital architecture vision. Part Ⅴ--- Related discussion, conclusions, and the suggestion of later research .This part would discuss the operated procedure of this thesis research, and the positions and value of “Plastic-form” in digital environment. Then generalizing the conclusion of this thesis design, proposing the suggestion of later research.
    Appears in Collections:[Department of Architecture] Master's Theses

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