以數位環境中的線型架構與圖形分析來探索形式生產的設計課題

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Title:	以數位環境中的線型架構與圖形分析來探索形式生產的設計課題
Other Titles:	An Exploration of Form Generation Issues in Architectural Design--Through Wire-Frame and Graphic Analysis in the Digital Environment
Authors:	章順敏 Chang, Shun-Min
Contributors:	劉舜仁 Liu, Shuenn-Ren 東海大學建築學系
Keywords:	線型架構;圖型分析;三維網面;整體群化 wire-frame;graphics analysis;generative mesh;clustering
Date:	2002
Issue Date:	2011-05-19T08:42:17Z (UTC)
Abstract:	摘要本論文設計嘗試在數位化環境下，運用線性架構及圖形分析來操作建築整體群化間三維網面與形式生產的設計課題。創造出「衍生網面」（Generative Mesh）是過程中用以發展形體之設計媒介。建立一套利用數位環境中的參數機制之操作方法，從都市層級關係中的三種基本組合元素（都市、基地及建築物）中，衍化出建築形體及都市地景兩種設計課題上之探討，藉以了解此一方法之三維網面，化約都市空間多元化因素後，作為設計實驗的基形，以試探新的形體生成機制，並發衍對既存環境的改造課題。而本論文設計的主要內容包含了四個部分：第一部份─回顧及引發操作議題整理過去線型架構環境上都市整體化空間觀點及操作，並從整體性都市網面架構中，尋求形式生產的操作機制。第二部分─操作方法論述本論文設計嘗試從「古典建築中的格子」與「網格」的討論，延伸到當代「曲面的皮相衍化」及「物質框架形塑自由形體」等論點，作為理論建構之基礎，並提出「空間暗示」、「參數化衍生機制」及「連續形體生成」的課題，且同時強調表面、皮層與介面在建築上的關係。第三部分─線型架構三維網面建構觀念與方法流程本論文設計嘗試引用「二元化」、「層級化」、與「整體群化」等觀點，從中建立「群化」、「跡化」、「模糊化」及「交織化」四種操作手法，作為三維網面的生成架構，並說明其建構的方法流程並提出過程中的發現。第四部分─設計實驗之操作及討論設計實驗再細分為兩個部分，第一個部分從網面介入既存建築物開始，試圖找出相互對應的關係，從中形衍出新融合於舊有環境的形體。第二部份則將「土地表面」定義為建築形體的介面，以線型網面作為衍生之基形，試圖將線性網面、既存建築與地景之間的關係轉化為設計形態的操作。從設計實驗裡，發現在線型架構的觀念下，許多無形的空間，轉化成具體的曲面空間，這對於設計創作思考，得以在數位化環境下進行共時性的操作，以激勵新的空間形式與想像。 Abstract The main concern of this thesis is to operate a design of generative mesh and form generation in architectural clustering by using wire-frame and graphic analysis in the digital environment. In order to explore the operation of generative mesh, I develop one design with two parts of architectural form and city landscape through establishing a set of parameter in the digital environment and using three fundamental elements--city, base and building. After reducing the multiple elements of city space, the basic form of my experimental design is emerged. On this basis, I explore the new form generation and abrogate the issue of reforming existing environment. The thesis consists of four parts. PART 1: Research Purpose & Literature Review In PART 1, I review the introduction and concepts of wire-frame environment and entire city space. On this basis, I seek and elaborate the mechanism of form generation in entire city mesh frame. PART 2: Methodology & Issues Further, I construct the research with the development of "Frame in the Classic Architecture", "Mesh", the "Surface Derivative of the Time Curve" and "the Origin of Matter Frame, Represent and Free Form". The issues concerning space implication, parameter development and continuous form generation are also brought out in PART 2. All these concepts strengthen the relation between surface, skin and interface in architecture as well. PART 3: Operational Procedure Establishment--Wire-Frame in Generative Mesh "Clusterig", "tracing", "blurring", and "weaving" are four operational methods in this research. They are developed from the concepts of "duality", "hierarchy" and "clustering", and applied as the basic frame for generative mesh. Through the four operational methods, I explain the constructing procedure and discuss the finding. PART 4: Experimental Design, Operation and Discussion The experimental design is composed with two parts. The first part starts from the mesh intervention in the existing building. I elucidate the corresponding relations, and develop a new form integrating with the old environment. The second part attempts to operate the design form based on the relations of wire mesh, existing building, and city landscape. The premise of the design operation is defining the "earth surface" as the interface of architecture form, and taking the wire-frame as a fundamental form. The experimental result shows that the invisible space turns out a concrete curving space under the concept of wire-frame. It uncovers the possibility/availability to do the real-time operation in the digital environment, and brings out the form-generation issue as well.
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