本論文立基於建築形態學研究取向（包括相對式與建構式），針對近代建 築史上二位建築師 R.M.Schindler 與 F.L.Wright，進行其住宅平面幾何 結構之分析與比較。 內容分為二大部分。第一部分是對這二位建築師進行背景上的溯源；第二 部分對二者住宅平面幾何結構中互有相關的單元系統（unit system）、 複韻節（polyrhythm）、對稱性、音樂性、比例系統與幾何結構的層級加 以檢視分析。從第一部分的研究中發現這二位建築師皆間接受到建築理論 家Gottfried Semper與古典主義作品的影響；通常，Wright是順向發展而 Schindler 則是反向操作。而在第二部分的研究中發現這二位建築師的作 品在幾何結構上的形態屬性存在許多差異。通篇研究整理出九項結論。最 後並建議Wright家族中的成員Neutra、 Goff、 Soriano 與 Jones的作品 做為後續研究的對象。 This thesis is based on the study of architectural morphology. It deals with the geometrical structure of some residential buildings designed by R.M.Schindler and F.L.Wright, two notable architects in the history of modern architecture. The study consists of two parts. The first part is to explore the background and sources of the two architects. The second part is to examine and analyze the morphological attributes of geometrical structure underlying the selected architectural plans. The morphological attributes include unit system, polyrhythm, symmetry, musicality, proportion and geometrical hierarchy,and these attributes are interrelated. In the firstpart of the study, it is found that both of the two architects were influenced by the architectural theorist "Gottfried Semper" and the Classical architecture. Nevertheless, Wright followed the classical doctrine and Schindler, on the contrary, was opposed to them in many cases. In the second part of the study, a number of differences regarding the morphological attribues of the geometrical structure are found. Finally, nine conclusions are derived. The exploration of the works by the members of the Wright Family (e.g. Neutra, Goff, Soriano and Jones) is suggested as future study.
