時光的痕跡

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Title:	時光的痕跡
Other Titles:	Trace of time
Authors:	溫麗慈 Wen, Li-Tzu
Contributors:	張惠蘭 Chang, Hwei-Lan 東海大學美術學系
Keywords:	生命體驗、痕跡、風格、人體美 life experiences, trace, style, beauty of human bod
Date:	2010
Issue Date:	2011-01-07T05:58:20Z (UTC)
Abstract:	以「時光的痕跡」為題目緣由，因在不同時間創作作品，留下了時光的痕跡，有不同感受，記錄了歲月的回憶。喜歡情感直接在畫布上的詮釋、時間在畫布上溜過的痕跡。表象的真實容易複製，而精神只是把全部的生命體驗和文化內涵傾注於畫面中時，它才會顯現出來。本創作研究範圍係以2006-2010年之間系列作品，分五個章節敘述，其重點如下：第一章、為緒論，重點在說明研究動機、目的、範圍、限制、方法、流程圖。第二章、就創作學理基礎而言，筆者之作品與西洋藝術史初析，由學習經驗中尋找與西洋藝術史之聯結及對西方繪畫人體藝術之探討，在研究前述藝術創作的同時，筆者不僅思考到發展個人獨特風格，更試圖在創作源頭、動機與賦予意涵這幾個層面進行揣摩！第三章、由風格分析自我創作，筆者繪畫風格之建立，繪畫表現形式探討用色之思考、構圖與線條運用。第四章、作品詮釋與分析，選擇人體題材之作品，既有人體的美，也有作品的美；雙向審美效應，人體美借助創作得到了藝術的表現與永久的痕跡。第五章、對未來的創作展望下個註解是「再創新」！無論是從風格或是內容題材而言，嘗試新的畫風，實驗新的技巧，這樣的路線是個人在未來藝術道路上，最根本的精神價值與不變的堅持！在創作過程中，筆者深深體會到，在藝術創作的歷程中，是需要更多的藝術觀點的理論作基礎，常自我的深層剖析以及社會人文素養思維，才能將自己的感受表現在作品上。 "Trace of time” is given as the title because all these works are created at different time. Therefore, you can see the trace of time on them embedded with different feelings as well as all the memories throughout the time. I love finding those emotions and the traces shown on the canvas. Those ideas might not be difficult to get, but the most valuable part is to reveal all those life experiences and cultural contents through pictures. The scope of this creation is based on the works from 2006 to 2010 which are described in five chapters as below: Chapter 1: It is the introduction which states the research motive, purpose, scope, limitations, methods, and flow charts. Chapter 2: In terms of creation theories, it analyzes writer’s work based on history of western art. It explores the connection between the history of western art and western body art painting through studying. In the process of studying, the writer takes individual style into account and further investigate more in-depth on the source of creation, motives, and the imbedded ideas. Chapter 3: It analyzes self-style creation and painting styles. It also explores the art of colors, composition, and the application of lines through painting presentation. Chapter 4: Interpretation and analysis of work- creation based on human body has not only the beauty of human body, but the beauty from the work itself. With this two-way aesthetic effect, the beauty of human body lasts forever through the presentation of art. Chapter 5: The goal for future creation is to create more works and also explore innovative painting style and methods. This spirit will also be the fundamental concept and value for my future creation. In the process of composing, the writer deeply feels that more art theories are needed as the basis. Only through deep self-examination and humanity accomplishment can reveal our feelings on the work. Key words: life experiences, trace, style, beauty of human body
Appears in Collections:	[美術學系所] 碩士論文

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