本論文設計的整體是關於都市/文化地景(Urban /Culture Landscape)及移動性(mobility)的論述，試圖藉由它來作為對”場所考古”與”場所情境想像”的思考。 基地─台中市中區興中停車場─建構在四種場所移動性向度的疊置下-[歷史改道的河川]、[速度機具文化]、[居民日常生活活動]及[城市旅遊活動文化]，我們藉由透過連續拓樸空間(意義地圖)，檢視此四種向度在地景空間的意義，並尋找操作連續地景的策略，而使得基地去領域化並成為連結社會的重要節點，達成人、空間、活動與他人產生自然地交流。 This thesis design is about the discourse of urban/culture landscape and mobility. It attempts to explore archeology and imagination for the place.The site -Tsing-Chung parking in CBD of Taichung- was constructed by the four layers of mobility of the place: the history of rivers changed, the movement of the vehicles, the daily life of residents, and the phenomenon of tourism. Through the construction of the continuous topological space (map of meaning) in this subject, we investigate landscape meanings in the four layers and search for operating strategy of the continuous landscape. As such, the territory of the site is blurred. The new urban landscape becomes the node for social network. It encourages the natural exchange among people, space, and event.
