詩躍溢彩-吳麗媛膠彩創作理念與風格

Tunghai University Institutional Repository > 創意設計暨藝術學院 > 美術學系所 > 碩士論文 > Item 310901/657

Please use this identifier to cite or link to this item: http://140.128.103.80:8080/handle/310901/657

Title:	詩躍溢彩-吳麗媛膠彩創作理念與風格
Other Titles:	Living poetry with rich colors painting art Li Yuan Wu Creating Concepts and Style of Asian Gouache
Authors:	吳麗媛 Wu, Li-Yuan
Contributors:	詹前裕 Chan, Chien-Yu 東海大學美術學系
Keywords:	詩躍溢彩 living poetry with rich colors
Date:	2010
Issue Date:	2011-01-07T05:55:58Z (UTC)
Abstract:	本篇論文乃藝術創作者就個人作畫方式，透過個人詩詞內化移情反思、深入探究創作情感之精神意涵，重新檢視繪畫風格與創作情感之行為過程，本文以詩與畫之間作為理論架構，分析精神觀念與想法之溯源為其主要論述範圍。論文第一章內容以透過文學角度探求心靈創作之原動力，作為尋找美學與意境詮釋之源，透過欣賞文學詩詞與自創詩作之動機及情感詮釋，繪畫研究動機、目的、方法之過程探討。接著第二章也藉由文學、舞蹈、詩詞、音樂…等，境隨心轉的情感移情，詮釋在文學美化的詩意裡找尋繪畫出口，針對主題「詩躍溢彩」有關表現手法與啟發，及詩詞蘊藏深厚情感特色，將現實生活中感動詩詞與繪畫思維帶入畫作內心情中，並研讀與主題相關連之移情學、現象學、詮釋學、文學、隱喻等論證，深入學術理論礎石，以文學影響美學與意境詮釋，啟發文學藉由詩化情感轉借進入繪畫意識過程，並探討諸位畫家兼詩人之文學與繪畫觀點，分析文學影響其創作根源性作品。第三章創作者將生活演繹轉化成一部對生命思考的創作源，藉由現實生活感悟抽離出心象與繪畫觀，分別以不同的藝術觀感與內心思想特質作為分析，進而匯聚成個人繪畫創作時心境構思及創作主題風格導引與作品解析說明。第四章我在文學詩意中找到繪畫起點，「人生以詩為鏡，萬境皆入詩，萬象皆入畫」，作為我繪畫創作之藝術觀，在繪畫創作上更有所精進。 Given the artist’s painting approaches, this thesis emphasizes on reviewing the behavioral process of painting style and affective creation through deliberating personal poetry and inward empathy, as well as studying the spiritual implication. It serves as a theoretical foundation between poetry and painting to analyzing psychological concepts and the origins of ideas. Chapter I explores the motif of spiritual creation through literature as the origins of searching for aesthetics and prospect interpretation. In addition, it examines the procedures of studying motivations, purposes, and accesses of painting by relishing poetry and interpreting emotions and ideas in poems of self-creation. The study of literature, dance, poetry and music brings emotional empathizing when the mind dictates the circumstance, which founds a basis for Chapter II expressing the poetic grace in literature by looking for the outlet of paintings. The painting approaches and inspirations relating to the theme “living poetry with rich colors” holds profound emotions in poetry; such a theme brings fine compositions and painting thoughts of real life into the inward of artworks. Relevant demonstrations such as empathization, phenomenology, hermeneutics and metaphor are also taken into account as the basis of in-depth academic theories. Aesthetics and interpretation of artistic conception influenced by literature also inspire the conceptual process of painting through the shift from poetic feelings. Following with the discussions on viewpoints of literature and paintings from several artists and poets, this chapter analyzes the conceptual beginning of artworks under the effect of literature. In Chapter III, the creator transforms life into an inception of creation penetrating through the way of life. The analysis of varied artistic perception and attributes of inner thoughts is also presented by extracting spiritual and painting perspectives from real-life experiences. Such an analysis describes both the conception of mental state and style of creation themes, which assembles a personal painting creation. The initiative of painting is found in poetic literature indicated in Chapter IV. “Poetry is a mirror reflecting to life, and that all circumstances are counted in while all prospects in paintings” is the artistic conception of my paintings, and that will make an advanced and better creation in the future.
Appears in Collections:	[美術學系所] 碩士論文

Files in This Item:

File	Size	Format
098THU00233009-001.pdf	19Kb	Adobe PDF	415	View/Open
098THU00233009-002.pdf	83Kb	Adobe PDF	604	View/Open
098THU00233009-003.pdf	326Kb	Adobe PDF	465	View/Open
098THU00233009-004.pdf	7875Kb	Adobe PDF	971	View/Open
098THU00233009-005.pdf	14031Kb	Adobe PDF	533	View/Open

Loading...