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| Title: | 消逝的片刻-張鈞惠的創作理念與風格 |
| Other Titles: | The Elapse Moment Chang Chun-Hui′s concept and style of creation |
| Authors: | 張鈞惠
Chang, Chun-Hui |
| Contributors: | 詹前裕
Chan, Chien-Yu
東海大學美術學系 |
| Keywords: | 膠彩;消逝;生住異滅
Gouache;Elapsing;Four Aspects (of Buddhism: arising, abiding, changing and extinction of all existences.) |
| Date: | 2010 |
| Issue Date: | 2011-01-07T05:57:35Z (UTC)
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| Abstract: | 快樂的時光不能夠長存，像有自己的韻律和時間表，會促成也會消逝而去。將論文題目定為〈消逝的片刻〉，是因為我對於「為何快樂會流逝？」這件事感到困擾與好奇。在思索自己面對消逝的經驗中，試著分析以及記錄自己對這個落差極大的消逝感的想法，省察消逝的壞苦感發生時，內心的種種態度和心理情緒。在閱讀佛教哲學或學佛者著作的同時，試著將佛教世界觀與自己的世界觀做認知對照。分析比較消逝的客觀本質，及個人對消逝的認知，在兩者間尋找一個可解釋的答案，在生活中尋找一種較寬闊的視窗角度。在創作上，取材自自己實際生活週遭的事例和經驗，為遇到的消逝現象發聲，提出消逝存在的時刻，並藉由創作的發洩寄託，思索對消逝問題的來龍去脈，在過程中，尋找一條解脫之道。第一章緒論：由生活中對苦樂的體驗，進而啟迪對消逝這個關鍵問題的好奇關注，發想研究動機與研究方法。第二章：分析「消逝感」的原委和歷程，進而比較自己對苦與樂、事物的形成與消失的看待角度。此外，從佛教哲學生住異滅的角度，重新解釋消逝的現象。第三章：個人創作理念探討與作品的個別分析，每件作品自取材到表現的前因後果，及畫面經營的形式分析。第四章：分析作品中，繪畫創作時使用的元素，造形符號取用的內在意義，及空間特殊表現手法。最終，總結創作之後的心得和體會，放下貪嗔痴的執著，選擇尊重自然的因緣聚散法則，找到解決消逝之苦的滿意答案與新視點。
The joyful period is no longer to exist perpetually. It is just like its own rhythm and schedule, which could be helped to materialize or to fade away. The subject of this dissertation is noted “The Elapse Moment,” which is basis on the torments and curiosity that I was feeling on: How come the joyful period should be elapsed? When comes to confront the experience on “elapsing,” I tried to analyze and record the truly thinking on internal mental emotions which the joyful things were disappeared, but the sorrow were left. When reading the writings of Buddhism philosophy or Buddhist, I tried to make a contrast with world outlook of Buddhism and mine at the same time. For the “elapsing” definitions between objective and personality, there would be an explanatory comment which would be help to look for a much broader observation in life. For the creativity, I adopt the source materials from practical events and experiences around my livings. Finding the elapsing moment is truly in exist, I vent, think, and entrust to the care of elapsing issues in cause and effect. Therefore, I found to extricate oneself by creativity. Chapter One: Introduction.The researching motivations and methods are from the undergoing experience of bitterness and enjoyments, then inspired to the curiosity and closed attention on the main point: Elapsing.Chapter Two:Analyze the origins and the progressing of “the elapsing feelings,” then I contrast the views with bitterness and enjoyment on my own, materialize or to fade away on things. Furthermore, I redefine the phenomenon of elapsing from the four aspects from Buddhism philosophy. Chapter Three: Here I provide the personal creative notions, the works of individual analyzing, material obtaining and representing ins and outs of each works, and form analyzing and construction of general appearance of draws. Chapter Four: For analyzing the works, I use the element while creative drawing, the internal purport while taking, and the particular showing methods while arranging. Finally, I conclude what I have learned and realizing that people should choose to esteem the principle and subsidiary cause instead of the inflexible greed, anger and infatuated, and find out a satisfied solution and new viewpoint which solved the elapsing bitterness. |
| Appears in Collections: | [美術學系所] 碩士論文
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Files in This Item:
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Description |
Size | Format | |
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| 098THU00233010-001.pdf | | 74Kb | Adobe PDF | 457 | View/Open | | 098THU00233010-002.pdf | | 190Kb | Adobe PDF | 513 | View/Open | | 098THU00233010-003.pdf | | 8245Kb | Adobe PDF | 605 | View/Open |
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