本設計論文期望藉高雄這個工業都市之特殊城市特質，當地方產業在都市轉型面臨海洋-工業-藝文三大面向時，以沙仔地這個兼具海洋-重金屬-及市民休憩娛樂要素的區域提出隨之可能產生之空間議題; 並提出以五金.貨櫃調度/拼裝的運作原理作為建築構築的策略與設計。此舉希望以藝術展演的呈現顛覆一般人對五金/貨櫃很生硬、機械性甚至是污穢的印象，讓高雄的工業形象可以成為加分特色之外，並衍生出一具高探索性、變化性，也符合在地產業特色的藝術村落，以此提供對於都市規劃在重五金與海洋都市塑造時產生爭地問題的另一種可能，也試圖為高雄的文化藝術環境畫出另一改造、推動的藍圖。文中將探討:以五金/貨櫃產業的特質及運作原理作為沙仔地建築設計的操作基礎，將空間單元---gallery, film project area, sound stage…視為grand block(fully integrated major components) ，如同五金/貨櫃單元可重組、換置，並藉由承?、運輸這些空間單元的的機具模矩系統所提供的運作規則，配合著舊倉庫的改裝，使這個基地可依使用藍圖重新配置 ， 在同一基地，同一地域環境形成不同”場域”且達到不同主題活動所需的變化。將高雄市現有大小型藝文活動內容以藝術村的形式在這個可變動的建築機制體系裡重新呈現 ，轉化這些原本只有少部分人參與的活動為城市活動，使藝術活動達到"in process"的特質。讓藝文活動從準備、開始到結束都為自己發聲且與市民有生動的對話。一個可供探索、試驗的場地，在正尋找自身在藝術文化裡定位的工業海洋城市，我於是稱它為藝術展演實驗場。 In this thesis I expect to propose a possible spatial handling method in Sha-Tzai-di, the foreside of Kaohsiung, the biggest industry metropolis of Taiwan , while it’s facing the urban transforming with sea , industry and arts. This region used to be famed for its marine transit and heavy hardware and now becoming a popular residential view spot . And the characters of thisplace-marine transit and heavy metal are going to be used as the strategy and concept of this design. I hopefully expect to subvert the negative impression of most people towards machinery (marine transit/ heavy hardware) through the artistic per-formance advanced by this thesis and use them as positive local characters in the exploratory art village with high mobility, which might also be a possibility for Kaohsiung city while dealing urban planning reforming and cultural environment.The discussions In article will be:To take the operation and character of heavy hardware and container industry as the basis to manipulate spatial units. Gallery,film project area, sound stage... will be regarded as grand block (fully integrated major components) operatingin a system which enables the art village to have a changeable, reorganized plan. Similar to hardware or container transpor-tation,the mechenical modular system provides rules of the deployment. That helps satisfy different themes and programsin different times in the same field. To integrate cultural and art programs of Kaohsiung in this experimental art village and transform the main theme pro-grams as “in process” activities, which performs the whole processes from preparation, opening to closing to Kaohsiungcity and creates much more interaction between art programs and citizen.A field filled with exploratory and experiment in a industrial ocean city seeking its identity of artistic culture, I therefore call it a art experimental field.
